For the first podcast featuring the exhibition project KISS we meet artist Thomas Geiger, who for his “Festival of Minimal Actions” at Reumannplatz in Vienna-Favoriten reperforms works by different artists dealing with the possibilities and impossibilities of physical interaction, affection, intimacy, and romance in public space during periods of pandemic. (in German)
In the current podcast featuring the exhibition “… of bread, wine, cars, security and peace” artist Selma Selman talks about her drawing series “Superpositional Intersectionalism” as an attempt to expose and neutralize preconceived notions of what constitutes opposites and contradictions.
The sound piece “The Devil and the Uncle” accompanies Ines Doujak’s installation “The Devil Travels” on show in the exhibition “… of bread, wine, cars, security and peace”. The artist’s works investigate gender stereotypes and neocolonial exploitation against the backdrop of a complex world economy.
In the new podcast featuring the exhibition “… of bread, wine, cars, security and peace” artist Victoria Lomasko talks about how she found the idea for her new work “Underwater” that invites viewers to enter the intimacy of the deep waters: she not only draws events but also the emotions present and felt therein.
In the current podcast featuring the exhibition “… of bread, wine, cars, security and peace” artist Vlatka Horvat talks about her installations that assert themselves in the room as obstacles or as riddles of sorts, directing and choreographing movement trajectories and thought processes.
In the current podcast featuring the exhibition “… of bread, wine, cars, security and peace” Milica Tomić talks about her work “On Love Afterwards” which draws on history as a process of discontinuity by using methods of montage to juxtapose different histories of resistance.
In the current podcast featuring the exhibition “… of bread, wine, cars, security and peace” Saddie Choua talks about using popular culture in her work layering fiction, literature, music, and theater into spatial situations to tell stories.
In the new podcast featuring the exhibition “… of bread, wine, cars, security and peace” Jessika Khazrik for the Society of False Witnesses talks about about her installation “VRLAMXXAB8ND“, which deals with a very personal incident that happened to her just two months before the exhibition opened in March 2020.
In the fourth podcast featuring the exhibition “… of bread, wine, cars, security and peace” Wendelien van Oldenborgh talks about how Film was not just something to reflect on, but also activating behaviour.
In the third podcast featuring the exhibition “… of bread, wine, cars, security and peace” Oliver Ressler talks about activism for climate protection and criticism of capitalism, as well as the protest movements he has accompanied with his camera for years.
The second podcast of the exhibition “… of bread, wine, cars, security and peace” features artist Monika Grabuschnigg talking about her series “Crash (Simulation)” and also includes additional voices commenting on the works and the wider context of the show.
A new podcast series gives you first hand insights into the exhibited works of the current exhibition “… of bread, wine, cars, security and peace”. The artists themselves talk about their artistic practice, issues they encounter along the way and overall thoughts on what matters to them today.
In the second edition of the Kunsthalle Wien Podcast we met artist Andreas Fogarasi during the set-up of his exhibition. After a conversation about the concept of his show, we walked through the city and talked about urban transformation processes.
The first edition of our Kunsthalle Wien Podcast takes you on a journey to the exhibition Time is Thirsty. In a conversation with curator Luca Lo Pinto, we chat about the possibility of a trip through time, why it would be boring to show only artworks from 1992 – the founding year of the Kunsthalle Wien – and which artwork he would preserve for eternity. Florence Bonnefous of Galerie Air de Paris as well as the artists Sissel Tolaas and Jason Dodge also provide insights into their contributions to the exhibition.
The multi-part exhibition project “Publishing as an Artistic Toolbox: 1989–2017” explores the potentials of publishing – in the form of books, magazines, journals, artistic interventions, websites – as a particular medium and context both to circulate information, knowledge – and to produce art.