Press

A very warm welcome to the press section of Kunsthalle Wien! Here you can download press releases and press images for your research and press coverage needs. Downloads of the material are free, but please note that the images are to be used only with the correct copyright notice and with proper reference to Kunsthalle Wien.

In addition to changing exhibitions, Kunsthalle Wien is focusing on an intensive discourse in different formats. The recordings and interviews are also available for research purposes on our YouTube channel and via Soundcloud.

If you wish to receive press information, please sign up for our press release distribution list. Please use the contact form or send us a short e-mail to presse@kunsthallewien.at. For personal press and media inquiries, please contact us by phone or e-mail.

Annual program 2021

We continue to make it our mission to facilitate meaningful ways of coming together, even under the current difficult circumstances, and to place the works of artists and their perspectives at the core of this encounter. You can download a statement from WHW on the program, particulars of all exhibitions and selected special projects here. For the press images please check the respective exhibitions listed below.

Download Statement from WHWDownload Exhibition program 2021Download Special projects

Contact

Katharina Schniebs
presse@kunsthallewien.at
+43-1-52189-221

 

Past

 

Now

The provided press images may be used by the press free of charge, but only in the context of covering Kunsthalle Wien’s current exhibitions. Please make sure to mention the complete copyright attribution. The images must not be used for commercial purposes or shared with third parties.

Rade Petrasevic, What If I Never Find Out Who’s a Good Boy (2021), installation view Kunsthalle Wien Karlsplatz, photo: Kunsthalle Wien

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Rade Petrasevic, What If I Never Find Out Who’s a Good Boy (2021), installation view Kunsthalle Wien Karlsplatz, photo: Kunsthalle Wien

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Rade Petrasevic, What If I Never Find Out Who’s a Good Boy (2021), installation view Kunsthalle Wien Karlsplatz, photo: Kunsthalle Wien

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Rade Petrasevic, What If I Never Find Out Who’s a Good Boy (2021), installation view Kunsthalle Wien Karlsplatz, photo: Kunsthalle Wien

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Rade Petrasevic, What If I Never Find Out Who’s a Good Boy (2021), installation view Kunsthalle Wien Karlsplatz, photo: Kunsthalle Wien

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Rade Petrasevic, What If I Never Find Out Who’s a Good Boy (2021), installation view Kunsthalle Wien Karlsplatz, photo: Kunsthalle Wien

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Rade Petrasevic, Studio View, Portrait, 2020, courtesy the artist

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Johanna Tinzl, Back to Vienna – Body Adaptations: For two years, twice a week: Waiting. Horeischygasse, 1130 Vienna; My teacher was not a Nazi. Friesgasse, 1150 Vienna; Today I am no longer afraid. Schenkenstraße, 1010 Vienna, 2016/2020, courtesy the artist, © Bildrecht Wien, 2020, photo: Kunsthalle Wien

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Johanna Tinzl, Back in Vienna – Body Adaptations: My teacher was not a Nazi. Friesgasse, 1150 Wien, 2016/2020, courtesy the artist, © Bildrecht Wien, 2020

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Margot Pilz, Hausfrauendenkmal, 1979, courtesy the artist & Galerie 3

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Eva Egermann, Hold off, but hold me (with a text by Ianina Ilitcheva, ich sehe die einsamkeit vor mir und sie ist leicht, hochroth München 2018), 2020, photo: Kunsthalle Wien

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Eva Egermann, Hold off, but hold me (with a text by Ianina Ilitcheva, 183 Tage, 2015), Central Garden, 2020, courtesy the artist, photo: Kunsthalle Wien

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KISS: Thomas Geiger, Festival of Minimal Actions: Yann Vanderme, FAIRE SEMBLANT, photo: Kunsthalle Wien, 2020

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KISS: Thomas Geiger, Festival of Minimal Actions: Jiří Kovanda, Kissing through glass, Foto: Kunsthalle Wien, 2020

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Elke Silvia Krystufek, Not My Government, 2019, courtesy the artist & Croy Nielsen, Vienna, photo: Kunst-Dokumentation.com

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The provided press images may be used by the press free of charge, but only in the context of covering Kunsthalle Wien’s current exhibitions. Please make sure to mention the complete copyright attribution. The images must not be used for commercial purposes or shared with third parties.

Installation view: And if I devoted my life to one of its feathers, Kunsthalle Wien 2021, photo: © eSeL.at - Lorenz Seidler

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Installation view: And if I devoted my life to one of its feathers, Kunsthalle Wien 2021, photo: © eSeL.at - Lorenz Seidler

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Installation view: And if I devoted my life to one of its feathers, Kunsthalle Wien 2021, photo: © eSeL.at - Lorenz Seidler

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Installation view: And if I devoted my life to one of its feathers, Kunsthalle Wien 2021, photo: © eSeL.at - Lorenz Seidler

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Installation view: And if I devoted my life to one of its feathers, Kunsthalle Wien 2021, photo: © eSeL.at - Lorenz Seidler

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Installation view: And if I devoted my life to one of its feathers, Kunsthalle Wien 2021, photo: © eSeL.at - Lorenz Seidler

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Bartolina Xixa, Ramita Seca, La Colonialidad Permanente [Dry Twig, The Permanent Coloniality], 2019, film still, courtesy Maximiliano Mamani/Bartolina Xixa

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Amoako Boafo, Gold Plant, from the series Detoxing Masculinity, 2017. © Bildrecht Wien, 2021

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Nilbar Güreş, Breasts by Rose, 2020, Courtesy the artist and GALERIST, Istanbul, photo: Reha Arcan

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Germain Machuca, Las dos Fridas / Sangre Semen / Línea de vida [The Two Fridas / Blood Semen / Lifeline], 2013, photo: Claudia Alva, courtesy the artist and Museo de Arte de Lima

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Jim Denomie, OZ, The Emergence, 2017, courtesy the artist and Minnesota Museum of American Art

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Vlasta Delimar, Visual Orgasm, 1981, courtesy the artist and Galerie Michaela Stock, Wien, photo: Željko Jerman and Milan Božić

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Rosa Elena Curruchich, La señora vende barriletes y papel de barriletes [The Lady Sells Kites and Kite Paper], ca. 1980s, courtesy private collection, photo: Juan Pablo Murrugarra

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Karrabing Film Collective, Mermaids, Mirror Worlds, film still, 2018

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Babi Badalov, M - otherlanguage, 2021

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Anna Boghiguian, The Unfaithful Replica, 2016, courtesy the artist and KOW, Berlin

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Quishile Charan, Burning Ganna Khet [Burning Sugarcane Farm] (production still), 2021, photo: Raymond Sagapolutele

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The provided press images may be used by the press free of charge, but only in the context of covering Kunsthalle Wien’s current exhibitions. Please make sure to mention the complete copyright attribution. The images must not be used for commercial purposes or shared with third parties.

The Chanov housing estate, 1980s, from the archive of Helena Nistorová

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Installation view: Averklub Collective. Manuš Means Human, Kunsthalle Wien 2021, photo: © eSeL.at - Lorenz Seidler

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Installation view: Averklub Collective. Manuš Means Human, Kunsthalle Wien 2021, photo: © eSeL.at - Lorenz Seidler

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Installation view: Averklub Collective. Manuš Means Human, Kunsthalle Wien 2021, photo: © eSeL.at - Lorenz Seidler

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Installation view: Averklub Collective. Manuš Means Human, Kunsthalle Wien 2021, photo: © eSeL.at - Lorenz Seidler

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Installation view: Averklub Collective. Manuš Means Human, Kunsthalle Wien 2021, photo: © eSeL.at - Lorenz Seidler

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Rozana Kuburovič, The First World Romani Congress, 1971, courtesy the artist

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Jan Bartoš, Diggers, 1999, courtesy Museum of Romani Culture, Brno

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Rozana Kuburovič, Romani Flag, 1971, courtesy private collection

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Averklub Collective, Social Murder (video still), 2021, the artists

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Averklub Collective, Social Murder (video still), 2021, the artists

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Yugoslavian Romani flag mockup, 1971

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The provided press images may be used by the press free of charge, but only in the context of covering Kunsthalle Wien’s current exhibitions. Please make sure to mention the complete copyright attribution. The images must not be used for commercial purposes or shared with third parties.

Installation view: Space for Kids. Footprints in a Sea of Data, photo: Kunsthalle Wien 2021

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Installation view: Space for Kids. Footprints in a Sea of Data, photo: Kunsthalle Wien 2021

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Installation view: Space for Kids. Footprints in a Sea of Data, photo: Kunsthalle Wien 2021

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Installation view: Space for Kids. Footprints in a Sea of Data, photo: Kunsthalle Wien 2021

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Nathalie Koger, Die Konferenz der Tiere, revisited (work in progress), 2021, video still, courtesy The Golden Pixel Cooperative. © Nathalie Koger / Bildrecht Wien, 2021

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Enar de Dios Rodríguez, Vestiges (an archipelago), 2020, film still, courtesy of The Golden Pixel Cooperative, © Enar de Dios Rodríguez

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Simona Obholzer, perfect particles (x kWh), 2021, video still, courtesy of The Golden Pixel Cooperative, © Simona Obholzer / Bildrecht Wien, 2021

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Lisa Truttmann, untitled, 2021, film still, courtesy of The Golden Pixel Cooperative, © Lisa Truttmann

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Marlies Pöschl, Shadow Library, 2021, video still, courtesy of The Golden Pixel Cooperative, © Marlies Pöschl / Bildrecht Wien, 2021

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Simona Obholzer, study for Technoscapes, 2020, courtesy The Golden Pixel Cooperative. © Simona Obholzer / Bildrecht Wien, 2021

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The provided press images may be used by the press free of charge, but only in the context of covering Kunsthalle Wien’s current exhibitions. Please make sure to mention the complete copyright attribution. The images must not be used for commercial purposes or shared with third parties.

Ho Rui An, Asia the Unmiraculous, 2018–2021, photo: Yasuhiro Tani, courtesy Yamaguchi Center for Arts and Media

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Ho Rui An, Asia the Unmiraculous, 2018–2021, photo: Yasuhiro Tani, courtesy Yamaguchi Center for Arts and Media

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Ho Rui An, Student Bodies, 2019, video still, courtesy the artist

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The provided press images may be used by the press free of charge, but only in the context of covering Kunsthalle Wien’s current exhibitions. Please make sure to mention the complete copyright attribution. The images must not be used for commercial purposes or shared with third parties.

Ines Doujak, Ghostpopulation (under construction), 2021, courtesy the artist

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The provided press images may be used by the press free of charge, but only in the context of covering Kunsthalle Wien’s current exhibitions. Please make sure to mention the complete copyright attribution. The images must not be used for commercial purposes or shared with third parties.

Ana Hoffner ex-Prvulovic*, Still from Freud Film, Video Installation, 2019, Courtesy die Künstlerin

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Belinda Kazeem-Kamiński, Unearthing. In Conversation Filmstill, 2017, Courtesy die Künstlerin

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The provided press images may be used by the press free of charge, but only in the context of covering Kunsthalle Wien’s current exhibitions. Please make sure to mention the complete copyright attribution. The images must not be used for commercial purposes or shared with third parties.

Do Nothing. Feel Everything: I want to have enough luck, photo: Lesley Braun

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