Press

A very warm welcome to the press section of Kunsthalle Wien! Here you can download press releases and press images for your research and press coverage needs. Downloads of the material are free, but please note that the images are to be used only with the correct copyright notice and with proper reference to Kunsthalle Wien.

In addition to changing exhibitions, Kunsthalle Wien is focusing on an intensive discourse in different formats. The recordings and interviews are also available for research purposes on our YouTube channel and via Soundcloud.

If you wish to receive press information, please sign up for our press release distribution list. Please use the contact form or send us a short e-mail to presse@kunsthallewien.at. For personal press and media inquiries, please contact us by phone or e-mail.

Annual program 2023

The principle that underlies Kunsthalle Wien’s program for 2023 is the engagement with the here and now – with the complexity of the present social and political moment and what is happening in our immediate environment. Art alone cannot bring about positive social change, but it can fire up people’s imagination, without which a different world will never be possible.

WHW and the curatorial team of Kunsthalle Wien will therefore continue to work with local and international artists who experiment with creative modes of expression and approaches to art’s role. At the same time, Kunsthalle Wien’s programming will emphasize queer-feminist, anticolonial, antifascist, and ecological discourses.

On this page you can find detailed information about the individual exhibitions as well as press images. A program overview, a curatorial statement by WHW as well as information on all exhibitions are available for download.

Download Statement from WHWDownload Exhibition program 2023Download New publications 2022/2023

Contact

Katharina Schniebs
presse@kunsthallewien.at
+43-1-52189-221

 

Past

 

Now

The provided press images may be used by the press free of charge, but only in the context of covering Kunsthalle Wien’s current exhibitions. Please make sure to mention the complete copyright attribution. The images must not be used for commercial purposes or shared with third parties.

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Adelita Husni-Bey, On Necessary Work, video still, 2022, courtesy the artist

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Installation view: In the meantime, midday comes around, Kunsthalle Wien 2022, photo: Iris Ranzinger

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Installation view: In the meantime, midday comes around, Kunsthalle Wien 2022, photo: Iris Ranzinger

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„Einstweilen wird es Mittag“. Ausstellung, Kunsthalle Wien am Karlsplatz, 2022

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Installation view: In the meantime, midday comes around, Kunsthalle Wien 2022, photo: Iris Ranzinger

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Installation view In the meantime, midday comes around: Bassem Saad, Suppose that Rome is not a human habitation, 2022, Kunsthalle Wien 2022, photo: Iris Ranzinger

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Installation view: In the meantime, midday comes around, Kunsthalle Wien 2022, photo: Iris Ranzinger

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Installation view: In the meantime, midday comes around, Kunsthalle Wien 2022, photo: Iris Ranzinger

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Installation view: In the meantime, midday comes around, Kunsthalle Wien 2022, photo: Iris Ranzinger

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Installation view: In the meantime, midday comes around, Kunsthalle Wien 2022, photo: Iris Ranzinger

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Adelita Husni-Bey, On Necessary Work, video still, 2022, courtesy the artist

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Problem Collective, Information Boards, 2021, installation view Mysteski Arsenal, Kyiv, photo: Oleksandr Popenko

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Problem Collective, detail from Information Boards, 2021

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Bassem Saad, Congress of Idling Persons, 2021, film still, courtesy the artist

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The provided press images may be used by the press free of charge, but only in the context of covering Kunsthalle Wien’s current exhibitions. Please make sure to mention the complete copyright attribution. The images must not be used for commercial purposes or shared with third parties.

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Installation view Rajkamal Kahlon. Which Side Are You On?: Women with Hands (detail), 2007–2013, Kunsthalle Wien 2022, photo: www.kunst-dokumentation.com

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Installation view Rajkamal Kahlon. Which Side Are You On?: from the series Did You Kiss the Dead Body?, 2022, Kunsthalle Wien 2022, photo: www.kunst-dokumentation.com

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Installation view: Rajkamal Kahlon. Which Side Are You On?, Kunsthalle Wien 2022, photo: www.kunst-dokumentation.com

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Installation view: Rajkamal Kahlon. Which Side Are You On?, Kunsthalle Wien 2022, photo: www.kunst-dokumentation.com

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Installation view: Rajkamal Kahlon. Which Side Are You On?, Kunsthalle Wien 2022, photo: www.kunst-dokumentation.com

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Installation view Rajkamal Kahlon. Which Side Are You On?: Woman with Grenades, 2007–2013, Kunsthalle Wien 2022, photo: www.kunst-dokumentation.com

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Installation view Rajkamal Kahlon. Which Side Are You On?: from the series Cassell’s Illustrated History of India, 2003–2005, Kunsthalle Wien 2022, photo: www.kunst-dokumentation.com

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Installation view Rajkamal Kahlon. Which Side Are You On?: from the series Do You Know Our Names?, 2017, Kunsthalle Wien 2022, photo: www.kunst-dokumentation.com

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Installation view: Rajkamal Kahlon. Which Side Are You On?, Kunsthalle Wien 2022, photo: www.kunst-dokumentation.com

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Installation view Rajkamal Kahlon. Which Side Are You On?: from the series Did You Kiss the Dead Body?, 2022, Kunsthalle Wien 2022, photo: www.kunst-dokumentation.com

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Installation view Rajkamal Kahlon. Which Side Are You On?: from the series Enter My Burning House, 2021, Kunsthalle Wien 2022, Foto: www.kunst-dokumentation.com

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Installation view Rajkamal Kahlon. Which Side Are You On?: from the series Did You Kiss the Dead Body?, 2022, Kunsthalle Wien 2022, photo: www.kunst-dokumentation.com

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Installation view Rajkamal Kahlon. Which Side Are You On?: Boy with Basket Full of Heads, 2007, Kunsthalle Wien 2022, photo: www.kunst-dokumentation.com

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Installation view: Rajkamal Kahlon. Which Side Are You On?, Kunsthalle Wien 2022, photo: www.kunst-dokumentation.com

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Installation view Rajkamal Kahlon. Which Side Are You On?: from the series Did You Kiss the Dead Body?, 2022, Kunsthalle Wien 2022, photo: www.kunst-dokumentation.com

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Installation view: Rajkamal Kahlon. Which Side Are You On?, Kunsthalle Wien 2022, photo: www.kunst-dokumentation.com

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Installation view Rajkamal Kahlon. Which Side Are You On?: from the series People of the Earth (Die Völker der Erde), 2017–2021, Kunsthalle Wien 2022, photo: www.kunst-dokumentation.com

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Installation view Rajkamal Kahlon. Which Side Are You On?: from the series People of the Earth (Die Völker der Erde), 2017–2021, Kunsthalle Wien 2022, photo: www.kunst-dokumentation.com

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Installation view Rajkamal Kahlon. Which Side Are You On?: from the series Dear Yugoslavia, I Regret to Inform You …, 2018, Kunsthalle Wien 2022, photo: www.kunst-dokumentation.com

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Installation view Rajkamal Kahlon. Which Side Are You On?: from the series Dear Yugoslavia, I Regret to Inform You …, 2018, Kunsthalle Wien 2022, photo: www.kunst-dokumentation.com

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Installation view: Rajkamal Kahlon. Which Side Are You On?, Kunsthalle Wien 2022, photo: www.kunst-dokumentation.com

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Installation view: Rajkamal Kahlon. Which Side Are You On?, Kunsthalle Wien 2022, photo: www.kunst-dokumentation.com

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Installation view: Rajkamal Kahlon. Which Side Are You On?, Kunsthalle Wien 2022, photo: www.kunst-dokumentation.com

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Installation view: Rajkamal Kahlon. Which Side Are You On?, Kunsthalle Wien 2022, photo: www.kunst-dokumentation.com

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Installation view: Rajkamal Kahlon. Which Side Are You On?, Kunsthalle Wien 2022, photo: www.kunst-dokumentation.com

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Rajkamal Kahlon, Untitled (White Polka Dots), from the series Do You Know Our Names?, 2017, courtesy the artist

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Rajkamal Kahlon, detail from the series People of the Earth (Die Völker der Erde), 2017–2021, courtesy the artist

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Rajkamal Kahlon, detail from the series People of the Earth (Die Völker der Erde), 2017–2021, courtesy the artist

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Rajkamal Kahlon, Untitled (Green Stripes), from the series Do You Know Our Names?, 2017, courtesy the artist

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Rajkamal Kahlon, Untitled (Two Fingers), from the series Do You Know Our Names?, 2017, courtesy the artist

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Rajkamal Kahlon, Untitled (Orange Polka Dots), from the series Do You Know Our Names?, 2017, courtesy the artist

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Rajkamal Kahlon, Vetruvian Man or How I learned to love the bomb, from the series Blowback, 2012, acrylic on wooden cut-out, courtesy the artist

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Rajkamal Kahlon, You’ve Come a Long Way, Baby!, 2011, mixed media on photo rag paper, courtesy the artist

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The provided press images may be used by the press free of charge, but only in the context of covering Kunsthalle Wien’s current exhibitions. Please make sure to mention the complete copyright attribution. The images must not be used for commercial purposes or shared with third parties.

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Elfie Semotan, Untitled (Central Post Office and Telecommunications Center), Skopje, 2022, courtesy Studio Semotan © Elfie Semotan

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Elfie Semotan, Untitled (Museum of Contemporary Art Skopje), Skopje, 2022, courtesy Studio Semotan © Elfie Semotan

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Elfie Semotan, Untitled (Still Life), Skopje, 2022, courtesy Studio Semotan © Elfie Semotan

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Pablo Picasso, Woman's Head, 1963, photo: Marin Dimeski, courtesy Museum of Contemporary Art Skopje © Succession Picasso / Bildrecht, Vienna 2023

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Nikola Martinoski, Portrait of Rastko Purić, 1934, photo: Marin Dimeski, courtesy Museum of Contemporary Art Skopje

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Alexander Calder, To Skopje, 1965, photo: Marin Dimeski, courtesy Museum of Contemporary Art Skopje © Calder Foundation, New York / Bildrecht, Vienna 2023

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Dushan Perchinkov, Motif from a Suburb III, 1971, photo: Robert Jankuloski, courtesy Museum of Contemporary Art Skopje

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Olga Jevrić, Vaulted Form, 1964/1965, photo: Robert Jankuloski, courtesy Museum of Contemporary Art Skopje

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Josip Diminić, Touches, 1973, photo: Robert Jankuloski, courtesy Museum of Contemporary Art Skopje

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Iman Issa, I, the Artwork, 2023, c-print mounted on aluminum, courtesy the artist and Galerie Elisabeth & Klaus Thoman

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Siniša Ilić, Filigran, 2022/2023, paper-cut, courtesy the artist

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Gülsün Karamustafa, Window, 1980, painting and mixed media, courtesy the artist and BüroSarıgedik

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Brook Andrew, DIWIL, installation view Murray Art Museum Albury 2021, photo: Jeremy Weihrauch, courtesy the artist

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Yane Calovski & Hristina Ivanovska, Poster no. 5: 1968: Dusan Percinkov: Remains of a Summer Day, from Oskar Hansen’s Museum of Modern Art, 2007, series of 12 prints, graphic design collaborator: Ariane Spanier, courtesy the artists

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The provided press images may be used by the press free of charge, but only in the context of covering Kunsthalle Wien’s current exhibitions. Please make sure to mention the complete copyright attribution. The images must not be used for commercial purposes or shared with third parties.

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Laure Prouvost, photo: Gene Pittman, courtesy Walker Art Center, Minneapolis

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The provided press images may be used by the press free of charge, but only in the context of covering Kunsthalle Wien’s current exhibitions. Please make sure to mention the complete copyright attribution. The images must not be used for commercial purposes or shared with third parties.

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Tijana Lazović, SANS SOLEIL, 2022, film still

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Raphael Reichl, Andar pisando en cascarones arenosos [Walk on sandy eggshells], 2022, installation view, photo: Jorit Aust

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Ramiro Wong, We are all in the same boat. Approximations on Aesthetics of Othering, 2022, installation view, photo: Jorit Aust

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Vanessa Schmidt, Beds, Scenes, and Notes, 2022, installation view, photo: Jorit Aust

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Julius Pristauz, BAD LIGHT, 2022, installation view, photo: kunst-dokumentation.com

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Juliana Lindenhofer, Drei Farben die sich niemals begegnen sollten – Vater, Mutter, HTML oder Speculating on Death – Mit der Gewerkschaft in meinem Herzen oder Steigert sich mein Selbstwert ins Unermessliche, 2022, installation view, photo: Sophie Pölzl

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Gleb Amankulov, Figure I, 2022, installation view, photo: Philipp Pess

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Charlotte Gash, Breeder or Sucker, 2022, installation view, photo: Flavio Palasciano

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Alexandru Corsarca, WERISTdICHTER? Lektion 1 / purple is burning, 2022, photo: Sarah Tasha Hauber

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Albin Bergström, This is not to be Repeated, 2022, installation view (detail), photo: Flavio Palasciano

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The provided press images may be used by the press free of charge, but only in the context of covering Kunsthalle Wien’s current exhibitions. Please make sure to mention the complete copyright attribution. The images must not be used for commercial purposes or shared with third parties.

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Denise Ferreira da Silva & Arjuna Neuman, Ancestral Clouds Ancestral Claims, 2023, film still, courtesy the artists

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Denise Ferreira da Silva & Arjuna Neuman, Ancestral Clouds Ancestral Claims, 2023, film still, courtesy the artists

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Denise Ferreira da Silva & Arjuna Neuman, Ancestral Clouds Ancestral Claims, 2023, film still, courtesy the artists

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Denise Ferreira da Silva & Arjuna Neuman, Ancestral Clouds Ancestral Claims, 2023, film still, courtesy the artists

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Denise Ferreira da Silva & Arjuna Neuman, Ancestral Clouds Ancestral Claims, 2023, film still, courtesy the artists

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Denise Ferreira da Silva & Arjuna Neuman, Ancestral Clouds Ancestral Claims, 2023, film still, courtesy the artists

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Denise Ferreira da Silva & Arjuna Neuman, Ancestral Clouds Ancestral Claims, 2023, film still, courtesy the artists

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The provided press images may be used by the press free of charge, but only in the context of covering Kunsthalle Wien’s current exhibitions. Please make sure to mention the complete copyright attribution. The images must not be used for commercial purposes or shared with third parties.

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Monia Ben Hamouda, Gymnasium, 2020, courtesy the artist and ChertLüdde, Berlin

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Adam Rzepecki, Project of the monument of the Polish Father's, 1981, courtesy the artist

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Lucia Dovičáková, I Like Order, 2018, courtesy the artist

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Lucia Dovičáková, How I Feel With New Boobs, 2020, courtesy the artist

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Rafał Zajko with Dalton Desborough, Produkt III (MATKA), 2021, courtesy the artists

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Rafał Zajko with Dalton Desborough, Produkt III (MATKA) (detail), 2021, courtesy the artists

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