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Blue Times

1.10.2014–11.1.2015
Ausstellungsansicht: Blue Times, Kunsthalle Wien 2014, Foto: Stephan Wyckoff: Liam Gillick, Renovation Filter Lobby, 2000, Courtesy der Künstler; Walter Swennen, Super blaue Reiter, 1998, Sammlung Mu.Zee, Ostende; Michael Staniak, IMG 980; IMG 981; IMG 982; IMG 983 (Internet Blueprints) , 2014, Courtesy Steve Turner Contemporary, Los Angeles; Edith Dekyndt, Something Blue, 1996–2011, Courtesy die Künstlerin; Lawrence Weiner, OUT OF THE BLUE, 1999/2014, Courtesy der Künstler; Derek Sullivan, Problems That Arise From Continually Confusing Left & Right, 2014, Courtesy der Künstler und Jessica Bradley Gallery, Toronto

Location

Kunsthalle Wien
Museumsquartier

Facebook is blue; Earth is blue when viewed from outer space. Blue is the colour of romanticism and of melancholy. Over 80 percent of the western population chooses blue as their favourite colour. Conservative parties prefer blue; Margret Thatcher’s blue outfits are legendary. It is precisely because blue is so omnipresent in our society that it has experienced such diverse cultural ascriptions and is so open to being ideologically charged. To reclaim a colour like this also means to pick up on its complex and multilayered connotations as well as potentially to reinterpret them.

The group exhibition Blue Times shows over thirty international artistic positions in an open space, juxtaposing them to design an associative social history of the colour that focuses on its psychological, metaphorical and associative power, but also its instrumentalisation for ideological, political and economic purposes.

From the conceptual wordplay of Lawrence Weiner’s OUT OF THE BLUE to Derek Jarman’s ode to the colour blue. From Walid Raad’s monochrome pictures over Remco Torenbosch’s study of the flag of the European Union to Raed Yassin’s Chinese vases filled with the inscriptions of other cultures and Jonathan Monk’s world map made out of blue work clothes. The juxtaposition of these artworks and selected goods encourages a discussion of the perception and use of this popular and multifaceted hue over time.

The Blue Salon is part of Blue Times and expands the exhibition into the broader field of cultural history. Based on the principles of a chamber of marvels and a study room, a selection of objects from the natural sciences, handicrafts and pop culture are presented in this space. The colour blue functions as a kind of thread, tracing its way through the evolving stories. It is the visitors themselves who then ultimately weave these elements together by reading the books, listening to the music, watching the films and conversing with each other. On select days, the Blue Salon will be activated: under the title Blau machen the salon will host workshops, roundtable talks and music and film nights.

Saâdane Afif, Billy Apple, Nadia Belerique, Irma Blank, Edith Dekyndt, Simon Denny, Sylvie Fleury, Peter Friedl, Ryan Gander, Liam Gillick, Derek Jarman, Toril Johannessen, Chris Kabel, Tobias Kaspar, Yves Klein, Walt Kuhn, Edgar Leciejewski, Goshka Macuga, Jonathan Monk, Alex Morrison, Otto Neurath, Wendelien van Oldenborgh, Prinz Gholam, Walid Raad, Mark Raidpere, De Rijke / De Rooij, Willem de Rooij, Pamela Rosenkranz, Julia Scher, Société Réaliste, Michael Staniak, Hito Steyerl, Derek Sullivan, Walter Swennen, Remco Torenbosch, Lidwien van de Ven, Lawrence Weiner, Raed Yassin

Amira Gad, Nicolaus Schafhausen

Ausstellungsansicht: Blue Times, Kunsthalle Wien 2014, Foto: Stephan Wyckoff: Liam Gillick, Renovation Filter Lobby, 2000, Courtesy der Künstler; Walter Swennen, Super blaue Reiter, 1998, Sammlung Mu.Zee, Ostende; Michael Staniak, IMG 980; IMG 981; IMG 982; IMG 983 (Internet Blueprints) , 2014, Courtesy Steve Turner Contemporary, Los Angeles; Edith Dekyndt, Something Blue, 1996–2011, Courtesy die Künstlerin; Lawrence Weiner, OUT OF THE BLUE, 1999/2014, Courtesy der Künstler; Derek Sullivan, Problems That Arise From Continually Confusing Left & Right, 2014, Courtesy der Künstler und Jessica Bradley Gallery, Toronto
Ausstellungsansicht: Blue Times, Kunsthalle Wien 2014, Foto: Stephan Wyckoff: Sylvie Fleury, Color Lab – white neon study blue, 2012, Courtesy Galerie Mehdi Chouakri, Berlin
Ausstellungsansicht: Blue Times, Kunsthalle Wien 2014, Foto: Stephan Wyckoff: Pamela Rosenkranz, [Title TK], 2014, Courtesy Miguel Abreu Gallery, New York City und Karma International, Zürich
Ausstellungsansicht: Blue Times, Kunsthalle Wien 2014, Foto: Stephan Wyckoff: Raed Yassin, China, 2012, Courtesy Abraaj Foundation, Dubai
Ausstellungsansicht: Blue Times, Kunsthalle Wien 2014, Foto: Stephan Wyckoff: Prinz Gholam, Gitarre, 2014, Courtesy Galerie Jocelyn Wolff, Paris; Derek Sullivan, Problems That Arise From Continually Confusing Left & Right, 2014, Courtesy der Künstler und Jessica Bradley Gallery, Toronto
Ausstellungsansicht: Blue Times, Der Blaue Salon, Kunsthalle Wien 2014, Foto: Georg Petermichl: Jonathan Monk, The World In Workwear, 2011, Courtesy der Künstler und Galleri Nicolai Wallner, Kopenhagen, Privatsammlung, Belgien
Ausstellungsansicht: Blue Times, Kunsthalle Wien 2014, Foto: Georg Petermichl: Société Réaliste, EU Green Card Lottery: The Lagos File, 2006–2009, Courtesy die Künstler; Chris Kabel, Blue Sky Lamp, 2014, Courtesy der Künstler
Ausstellungsansicht: Blue Times, Kunsthalle Wien 2014, Foto: Stephan Wyckoff, Raed Yassin, China, 2012, Courtesy Abraaj Foundation, Dubai; Tobias Kaspar, Lumpy Blue Sweater, 2010, Courtesy Silberkuppe, Berlin
Ausstellungsansicht: Blue Times, Kunsthalle Wien 2014, Foto: Georg Petermichl
Ausstellungsansicht: Blue Times, Kunsthalle Wien 2014, Foto: Georg Petermichl