Images
Heinz Frank. The Angle of the End Always Comes from Behind
Installation view, Heinz Frank. The Angle of the End Always Comes from Behind, 2019, Kunsthalle Wien, Photo: Jorit Aust
Installation view, Heinz Frank. The Angle of the End Always Comes from Behind, 2019, Kunsthalle Wien, Photo: Jorit Aust
Installation view, Heinz Frank. The Angle of the End Always Comes from Behind, 2019, Kunsthalle Wien, Photo: Jorit Aust: Heinz Frank, PORTRAIT EINES SELBSTPORTRAITS MIT LEEREM SCHATTEN (Portrait of a Self-Portrait With Empty Shadow), 1980; HIRNSCHATTEN / SCHATTEN DES LICHTS, SCHATTEN EINES BILDES, (Brain-Shadow / Shadow of the Light, Shadow of the Picture), 1980, Courtesy the artist
Installation view, Heinz Frank. The Angle of the End Always Comes from Behind, 2019, Kunsthalle Wien, Photo: Jorit Aust: Heinz Frank, PERSPEKTIVISCHES EINWÄRTS. MEIN KOPF, EINE RAUMLOSE RÄUMLICHKEIT (Perspectival Inward. My Head, a Spaceless Spatiality), 1980; FENSTER NACH HAUSE (Window Home), 1979, Courtesy the artist
Installation view, Heinz Frank. The Angle of the End Always Comes from Behind, 2019, Kunsthalle Wien, Photo: Jorit Aust
Installation view, Heinz Frank. The Angle of the End Always Comes from Behind, 2019, Kunsthalle Wien, Photo: Jorit Aust
Installation view, Heinz Frank. The Angle of the End Always Comes from Behind, 2019, Kunsthalle Wien, Photo: Jorit Aust: Heinz Frank, DER SEELE MEINER SEELE KLEID… (To the Soul My Soul’s Attire…), 1982, Courtesy the artist
Installation view, Heinz Frank. The Angle of the End Always Comes from Behind, 2019, Kunsthalle Wien, Photo: Jorit Aust
Installation view, Heinz Frank. The Angle of the End Always Comes from Behind, 2019, Kunsthalle Wien, Photo: Jorit Aust
Portrait Heinz Frank, Kunsthalle Wien 2019, Photo: Kunsthalle Wien
© Heinz Frank, 2019
Aphoristic notes such as “The hole is the epitome of emptiness” provide the initial sparks for Heinz Frank's creative process resulting in pictures and constructions that not only blur boundaries between genres, techniques, and materials.