Images
Hysterical Mining
Installation view: Hysterical Mining, Kunsthalle Wien 2019, Photo: Jorit Aust: Barbara Kapusta, The Giant, 2018, Courtesy the artist and Gianni Manhattan, Vienna
Installation view: Hysterical Mining, Kunsthalle Wien 2019, Photo: Jorit Aust: Delphine Reist, Étagère, 2007, Collection Institut d’Art Contemporain, Villeurbanne / Rhône-Alpes, Courtesy the artist; Miao Ying, Blind Spot – People, 2019, Courtesy Galerie nächst St. Stephan Rosemarie Schwarzwälder, Vienna
Installation view: Hysterical Mining, Kunsthalle Wien 2019, Photo: Jorit Aust: Tabita Rezaire, Ultra Wet – Recapitulation, 2017–2018, Courtesy the artist and Goodman Gallery, Johannesburg; Miao Ying, Blind Spot – People, 2019, Courtesy Galerie nächst St. Stephan Rosemarie Schwarzwälder, Vienna
Installation view: Hysterical Mining, Kunsthalle Wien 2019, Photo: Jorit Aust: Fabien Giraud & Raphaël Siboni, The Outlawed (The Unmanned, Season 1, Episode 3), 2018, 1922 – The Uncomputable (The Unmanned, Season 1, Episode 4), 2016, 1834 – La Mémoire de Masse (The Unmanned, Season 1, Episode 5), 2015, Courtesy the artist
Installation view: Hysterical Mining, Kunsthalle Wien 2019, Photo: Jorit Aust: Marlene Maier, Unreal Engines, 2019, Courtesy the artist
Installation view: Hysterical Mining, Kunsthalle Wien 2019, Photo: Jorit Aust: Trisha Baga, T BT, 2016; Untitled, 2016, Courtesy the artist and Société, Berlin
Installation view: Hysterical Mining, Kunsthalle Wien 2019, Photo: Jorit Aust: Louise Drulhe, Critical Atlas of Internet, 2015; The Two Webs, 2017, Courtesy the artist, Barbara Kapusta, The Giant, 2018, Courtesy the artist and Gianni Manhattan, Vienna, Judith Fegerl, the kitchen was what she had given of herself to the world, 2019, Courtesy Galerie Hubert Winter, Vienna
Installation view: Hysterical Mining, Kunsthalle Wien 2019, Photo: Jorit Aust: Pratchaya Phinthong, 2017, 2009, Collection FRAC Lorraine, Metz, Courtesy gb agency, Paris; Barbara Kapusta, The Giant, 2018, Courtesy the artist and Gianni Manhattan, Vienna; Tabita Rezaire, The Song of the Spheres, 2018, Courtesy the artist and Goodman Gallery, Johannesburg
Installation view: Hysterical Mining, Kunsthalle Wien 2019, Photo: Jorit Aust: Barbara Kapusta, The Giant, 2018, Courtesy the artist and Gianni Manhattan, Vienna; Tabita Rezaire, The Song of the Spheres, 2018, Courtesy the artist and Goodman Gallery, Johannesburg
Installation view: Hysterical Mining, Kunsthalle Wien 2019, Photo: Jorit Aust: Katrin Hornek, Casting Haze, 2018–2030, Courtesy the artist
Installation view: Hysterical Mining, Kunsthalle Wien 2019, Photo: Jorit Aust: Louise Drulhe, Critical Atlas of Internet, 2015; The Two Webs, 2017, Courtesy the artist
Artists: Trisha Baga, Louise Drulhe, Veronika Eberhart, Sylvia Eckermann & Gerald Nestler, Judith Fegerl, Fabien Giraud & Raphaël Siboni, Katrin Hornek, Barbara Kapusta, Marlene Maier, Miao Ying, Pratchaya Phinthong, Marlies Pöschl, Delphine Reist, Tabita Rezaire