Nicola L.
Installation view Nicola L., Lips Lamp, 1969, L'ŒIL, 1969, Courtesy Galerie Pierre-Alain Challier, Green Head Sofa, ca. 1992, Kunsthalle Wien 2025, Kunsthalle Wien 2025, © Nicola L. Collection and Archive
Courtesy Nicola L. Collection and Archive and Alison Jacques, photo: Markus Wörgötter
Installation view Nicola L., Kunsthalle Wien 2025, © Nicola L. Collection and Archive
Courtesy Nicola L. Collection and Archive and Alison Jacques, photo: Markus Wörgötter
Installation view Nicola L., La Femme Commode, 1996, Blue Femme Commode, 1969/ca. 1990, Orange Femme Commode, 1969/2008, Kunsthalle Wien 2025, © Nicola L. Collection and Archive. Courtesy Nicola L. Collection and Archive and Alison Jacques, photo: Markus Wörgötter
Installation view Nicola L., Kunsthalle Wien 2025, © Nicola L. Collection and Archive
Courtesy Nicola L. Collection and Archive and Alison Jacques, photo: Markus Wörgötter
Installation view Nicola L., Femme, 1970, Courtesy Design Museum Brussels; Same Skin For Everybody, 1975, Courtesy Museion Collection. Work acquired by Museion with the support of PAC2024 – Piano per l’arte contemporanea, promoted by the Directorate-General for Contemporary Creativity of the Italian Ministry of Culture; Want to Breathe, 1975, Courtesy The Collection of Donal Porteous; Kunsthalle Wien 2025, photo: Markus Wörgötter
Installation view Nicola L., Kunsthalle Wien 2025, © Nicola L. Collection and Archive
Courtesy Nicola L. Collection and Archive and Alison Jacques, photo: Markus Wörgötter
Nicola L., Blue Eye, 1969/1990, © Nicola L. Collection and Archive. Courtesy Nicola L. Collection and Archive and Alison Jacques, photo: Michael Brzezinski
Nicola L., Sun & Moon Giant Pénétrables, c. 1996, © Nicola L. Collection and Archive. Courtesy Nicola L. Collection and Archive and Alison Jacques, photo: Michael Brzezinski
Nicola L., We Don't Want War, c. 1974/1995, © Nicola L. Collection and Archive. Courtesy Nicola L. Collection and Archive and Alison Jacques, photo: Michael Brzezinski
Performance with Nicola L.'s Red Coat in New York's Chinatown for Fernando Arrabal's film Adieu Babylone!, 1992, © Nicola L. Collection and Archive
Nicola L., Same Skin For Everybody, 1975, © Nicola L. Collection and Archive. Courtesy Nicola L. Collection and Archive and Alison Jacques, photo: Michael Brzezinski
Nicola L. with Giant Foot, 1969, © Nicola L. Collection and Archive
Nicola L. in Pénétrable at the Chelsea Hotel, New York City, 1991, Courtesy Nicola L. Collection and Archive, Photo: Rita Barros
Nicola L., Little TV Woman: ‘I Am the Last Woman Object', 1969, © Nicola L. Collection and Archive, Courtesy XXO collection, Photo: Kyle Knodell
Nicola L.: I Am The Last Woman Object, 2025 published by: Lenz; Camden Art Centre; Frac Bretagne; Kunsthalle Wien – Stadt Wien Kunst GmbH; Museion – Museum of Modern and Contemporary Art, Bozen/Bolzano