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I'm Isa Genzken, The Only Female Fool

28.5.–7.9.2014
Ausstellungsansicht: I’m Isa Genzken, The Only Female Fool, Kunsthalle Wien 2014, Foto: Stephan Wyckoff: Strandhäuser zum Umziehen (Detail), 2000, Courtesy Sammlung FRAC Nord-Pas de Calais, Dunkerque und Galerie Buchholz, Berlin/Köln

Location

Kunsthalle Wien
Museumsquartier

The Only Female Fool: that’s how Isa Genzken describes herself in the self-chosen title of her exhibition at Kunsthalle Wien. This statement is typical of the fluid boundaries between deep seriousness and an exuberant, eccentric spirit that is also present in her work. Genzken is one of the most important contemporary artists, and her artistic practice is characterized by a wide spectrum of media and forms, although her roots in sculpture always remain visible. This exhibition focuses on special aspects of her oeuvre: the mirror motif, the examination of architecture, space as a social sphere. Early works such as the Hyperbolos and Ellipsoides are juxtaposed with series from later creative periods such as the New Buildings for Berlin (2014) or the Strandhäuser zum Umziehen (Beach Huts) (2000). Another point of focus in the exhibition is Genzken’s collaboration with other artists and her admiration for certain artistic positions. In line with this, selected works by Dan Graham, Gordon Matta-Clark, Jasper Johns, Gerhard Richter, Wolfgang Tillmans, and Lawrence Weiner are presented in dialogue with Genzken’s multi-layered work, while an iconic image of Michael Jackson beckons from the portico of the Winterreithalle: a symbol of disco and excess for Genzken.
Videos

Artist
Isa Genzken, *1948, lives and works in Berlin. A well-received retrospective was held at MoMA in New York until March 2014. Genzken has had solo shows in Vienna at the Generali Foundation in 1996 and at the Secession in 2006. In 2007 she exhibited in the German Pavilion at the Venice Biennale, curated by Nicolaus Schafhausen.
Curator
Nicolaus Schafhausen
Catalogue I’m Isa Genzken, The Only Female FoolSternberg Press, 112 pages, 42 colour images,
with texts by Joshua Decter and Tom McDonough
EUR 18

Ausstellungsansicht: I’m Isa Genzken, The Only Female Fool, Kunsthalle Wien 2014, Foto: Stephan Wyckoff: Strandhäuser zum Umziehen (Detail), 2000, Courtesy Sammlung FRAC Nord-Pas de Calais, Dunkerque und Galerie Buchholz, Berlin/Köln
Ausstellungsansicht: I’m Isa Genzken, The Only Female Fool, Kunsthalle Wien 2014, Foto: Stephan Wyckoff: Grün-orange-graues Hyperbolo ‘El Salvador’, 1980; Blau-grün-gelbes Ellipsoid ‘Joma’, 1981, Courtesy Galerie Buchholz, Berlin/Köln; Strandhäuser zum Umziehen, 2000, Courtesy Sammlung FRAC Nord-Pas de Calais, Dunkerque und Galerie Buchholz, Berlin/Köln; Untitled, 1978, Courtesy Galerie Buchholz, Berlin/Köln; Dan Graham und Robin Hurst, Private ‘Public’ Space: The Corporate Atrium Garden, 1987, Sammlung Generali Foundation, Wien
Ausstellungsansicht: I’m Isa Genzken, The Only Female Fool, Kunsthalle Wien 2014, Foto: Stephan Wyckoff: Grün-orange-graues Hyperbolo ‘El Salvador’, 1980; Blau-grün-gelbes Ellipsoid ‘Joma’, 1981, Courtesy Galerie Buchholz, Berlin/Köln; Strandhäuser zum Umziehen, 2000, Courtesy Sammlung FRAC Nord-Pas de Calais, Dunkerque und Galerie Buchholz, Berlin/Köln; Isa Genzken, Untitled, 1978, Courtesy Galerie Buchholz, Berlin/Köln; Dan Graham und Robin Hurst, Private ‘Public’ Space: The Corporate Atrium Garden, 1987, Sammlung Generali Foundation, Wien
Ausstellungsansicht: I’m Isa Genzken, The Only Female Fool, Kunsthalle Wien 2014, Foto: Stephan Wyckoff: New Buildings for Berlin (Alpha); (Beta); (Gamma); (Delta), 2014, Courtesy Galerie Buchholz, Berlin/Köln; Gordon Matta-Clark, Reality Properties – Fake Estates (Block 3398, Lot 116), 1973, Sammlung Generali Foundation, Wien; Untitled, 1978, Courtesy Galerie Buchholz, Berlin/Köln
Ausstellungsansicht: I’m Isa Genzken, The Only Female Fool, Kunsthalle Wien 2014, Foto: Stephan Wyckoff: Grün-orange-graues Hyperbolo ‘El Salvador’, 1980, Courtesy Galerie Buchholz, Berlin/Köln; Isa Genzken und Wolfgang Tillmans, Science Fiction/Hier und Jetzt zufrieden sein, 2001, Courtesy Staatliche Museen zu Berlin, Nationalgalerie, 2008 Schenkung der Friedrich Christian Flick Collection
Ausstellungsansicht: I’m Isa Genzken, The Only Female Fool, Kunsthalle Wien 2014, Foto: Stephan Wyckoff: Isa Genzken, Untitled, 2001, Sammlung Jansen, Berlin; A, B, C, D, 2002/2003, Privatsammlung, Jarla Partilager, Courtesy Galerie Buchholz, Berlin/Köln; Justus, 1998/2000, Sammlung Hoffmann, Berlin; Anna, 1998, Privatsammlung, Köln
Ausstellungsansicht: I’m Isa Genzken, The Only Female Fool, Kunsthalle Wien 2014, Foto: Stephan Wyckoff
Ausstellungsansicht: I’m Isa Genzken, The Only Female Fool, Kunsthalle Wien 2014, Foto: Stephan Wyckoff: Isa Genzken und Wolfgang Tillmans,Science Fiction/Hier und Jetzt zufrieden sein, 2001, Courtesy Staatliche Museen zu Berlin, Nationalgalerie, 2008 Schenkung der Friedrich Christian Flick Collection; Isa Genzken, Untitled, 2001, Collection Jansen, Berlin; A, B, C, D, 2002/2003, Privatsammlung Jarla Partilager, Courtesy Galerie Buchholz, Berlin/Köln; Justus, 1998/2000, Sammlung Hoffmann, Berlin; Anna, 1998, Privatsammlung, Köln
Ausstellungsansicht: I’m Isa Genzken, The Only Female Fool, Kunsthalle Wien 2014, Foto: Stephan Wyckoff: Isa Genzken, New Buildings for Berlin (Alpha); (Beta); (Gamma); (Delta), 2014, Courtesy Galerie Buchholz, Berlin/Köln; Isa Genzken, Untitled, 2001, Sammlung Jansen, Berlin; A, B, C, D, 2002/2003, Privatsammlung, Jarla Partilager, Courtesy Galerie Buchholz, Berlin/Köln; Justus, 1998/2000, Sammlung Hoffmann, Berlin; Anna, 1998, Privatsammlung, Köln