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In the meantime, midday comes around

10.11.2022–1.5.2023
Videostill mit drei Stapeln unterschiedlicher Gegenstände.
Adelita Husni-Bey, On Necessary Work, video still, 2022, courtesy the artist

Location

Kunsthalle Wien
Karlsplatz

Curators: What, How & for Whom / WHW (Ivet Ćurlin, Nataša Ilić and Sabina Sabolović)

Assistant Curator Andrea Popelka

Artists: Arts of the Working Class • AUSLÄNDER with the invited guests HORIZONT Kollektiv • bare minimum collective • Linda Bilda • Eva Egermann • Lamin Fofana • Adelita Husni-Bey • Problem Collective • Bassem Saad • Vina Yun in collaboration with Tine Fetz, Moshtari Hilal, Sunanda Mesquita, and Patu • …

How did it come about that we don’t work to live but rather live to work, and that we can scarcely imagine other forms of living? Taking inspiration from the famous Marienthal Study, In the meantime, midday comes around revolves around questions like these. The international group exhibition looks at the changes to the field of work in the last decades, made more visible by the Covid-19 pandemic, and considers the modalities of collective action and political imagination such global events carry to affect work.

To approach this set of issues, the artworks in the exhibition oscillate between several thematic zones: crisis and social collapse, alongside both historical and contemporary forms of workers’ collective action and organization, are discussed by Lamin Fofana, Adelita Husni-Bey, Problem Collective, and Bassem Saad. Arts of the Working Class and bare minimum collective deal with other ways of being together, such as social bonds and practices that challenge the centrality of labor and reclaim time as the foundation of freedom, while Vina Yun in collaboration with Tine Fetz, Moshtari Hilal, Sunanda Mesquita & Patu and Ausländer consider labor migration and its prospective planetary character. Moreover, the exhibition also takes a look at the specific conditions of artistic work and praxis — through the presentation of works by the late artist Linda Bilda (who died in 2019), and Eva Egermann’s take on them.

“In the meantime, midday comes around” is a quote taken from a seminal sociological study on unemployment from the 1930s called Marienthal: The Sociography of an Unemployed Community that was highly inspirational for this exhibition project. The researchers Marie Jahoda, Paul F. Lazarsfeld, and Hans Zeisel produced the book after several months of study of Marienthal, a district of the community Gramatneusiedl just outside Vienna, which was severely affected by the post-1929 worldwide economic crisis: almost all of its working population became unemployed.

Videostill mit drei Stapeln unterschiedlicher Gegenstände.
Adelita Husni-Bey, On Necessary Work, video still, 2022, courtesy the artist
Zwei Personen gucken einen Film der Künstlerin Adelita Husni-Bey.
Installation view: In the meantime, midday comes around, with works by AUSLÄNDER and Adelita Husni-Bey, Kunsthalle Wien 2022, photo: Iris Ranzinger
Installation view: In the meantime, midday comes around, with works by Linda Bilda, Kunsthalle Wien 2022, photo: Iris Ranzinger
Comic von Linda Bilda
Installation view In the meantime, midday comes around: Linda Bilda, edition Die goldene Welt [The Golden World] (detail), 2010, Kunsthalle Wien 2022, photo: Iris Ranzinger
Ausstellungsansicht mit zwei Personen.
Installation view: In the meantime, midday comes around, with works by Linda Bilda and Problem Collective, Kunsthalle Wien 2022, photo: Iris Ranzinger
Installation view In the meantime, midday comes around: Problem Collective, Information Board 4, 2021, Kunsthalle Wien 2022, photo: Iris Ranzinger
Installation view In the meantime, midday comes around: AUSLÄNDER, From a Distinguished Foreigner to an Undesirable Alien, 2022, Kunsthalle Wien 2022, photo: Iris Ranzinger
Vexierbild von Bassem Saad
Installation view In the meantime, midday comes around: Bassem Saad, Suppose that Rome is not a human habitation, 2022, Kunsthalle Wien 2022, photo: Iris Ranzinger
Zwei Personen gucken einen Film der Künstlerin Adelita Husni-Bey.
Installation view: In the meantime, midday comes around, with works by AUSLÄNDER and Adelita Husni-Bey, Kunsthalle Wien 2022, photo: Iris Ranzinger
Der Film von Bassem Saad wird auf einer Leinwand vor einem orangen Vorhang präsentiert.
Installation view In the meantime, midday comes around: Bassem Saad, Congress of Idling Persons, 2021, Kunsthalle Wien 2022, photo: Iris Ranzinger
Eine Wandtapete zeigt das Poster für das Comic HOMESTORIES: Ein Comic über die koreanische Diaspora in Wien.
Installation view: In the meantime, midday comes around, Kunsthalle Wien 2022, photo: Iris Ranzinger
Installation view In the meantime, midday comes around: Arts of the Working Class, Weapons of Choice, 2022, Kunsthalle Wien 2022, photo: Iris Ranzinger
Installation view: In the meantime, midday comes around with works by Bassem Saad, Kunsthalle Wien 2022, photo: Iris Ranzinger
Eine Wandtapete zeigt das Poster für das Comic HOMESTORIES: Ein Comic über die koreanische Diaspora in Wien.
Installation view: In the meantime, midday comes around, Kunsthalle Wien 2022, photo: Iris Ranzinger
Installation view: In the meantime, midday comes around, with works by HORIZONT Kollektiv and Linda Bilda, Kunsthalle Wien 2022, photo: Iris Ranzinger
Installation view In the meantime, midday comes around: Bassem Saad, Congress of Idling Persons, 2021, Kunsthalle Wien 2022, photo: Iris Ranzinger
Installation view In the meantime, midday comes around: Adelita Husni-Bey, On Necessary Work, 2022, Kunsthalle Wien 2022, photo: Iris Ranzinger
Screenshot von einem Zoom-Gespräch. Eine Frau mit 2 Kindern. Mit der Unterschrift: "I think if there were no nurses, then the world would end".
Adelita Husni-Bey, On Necessary Work, video still, 2022, courtesy the artist
Eine Inforamtionswand in Form eines aufgeschalgenen Buchs. Darauf sind 6 kleinere Textfelder verteilt.
Problem Collective, Information Boards, 2021, installation view Mysteski Arsenal, Kyiv, photo: Oleksandr Popenko
Grafik. Schwarze Außenlinien zeigen eine rechte Hand zur Faust geballt. Umgeben von ein paar Blättern. An der unterseite der Faust wachse Wurzeln nach unten.
Problem Collective, detail from Information Boards, 2021
Filmausschnitt aus einem Video. Im Hintergrund Außenansicht eines Sporttadion. Im Vordergrund ein Bildausschnitt der eine Menschenmenge zeigt vor dem selben Stadion.
Bassem Saad, Congress of Idling Persons, 2021, film still, courtesy the artist
Zwei Personen betrachten eine große Plexiglasarbeit mit verschiedenen Motiv des Künstlerkollektivs Ausländer.
Installation view In the meantime, midday comes around: AUSLÄNDRER, From a Distinguished Foreigner to an Undesirable Alien, 2022, Kunsthalle Wien 2022, photo: Iris Ranzinger

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