Radical Software
Women, Art & Computing 1960–1991
Installation view Radical Software: Women, Art & Computing 1960–1991, Kunsthalle Wien 2025, photo: kunst-dokumentation.com
Installation view Radical Software: Women, Art & Computing 1960–1991, Kunsthalle Wien 2025, photo: kunst-dokumentation.com
Installation view Radical Software: Women, Art & Computing 1960–1991: Hanne Darboven, Ein Jahrhundert-ABC, 1970–71, Courtesy the artist and Sprüth Magers; Isa Genzken, Gray-green open ellipsoid, ca. 1976–77, Courtesy the artist and Galerie Buchholz, Berlin; Kunsthalle Wien 2025; photo: kunst-dokumentation.com, © Bildrecht, Wien 2025
Installation view Radical Software: Women, Art & Computing 1960–1991, Kunsthalle Wien 2025, photo: kunst-dokumentation.com
Installation view Radical Software: Women, Art & Computing 1960–1991, Kunsthalle Wien 2025, photo: kunst-dokumentation.com
Installation view Radical Software: Women, Art & Computing 1960–1991: VALIE EXPORT, Concrete Computer DisPlay, 1988/1990, Kunsthalle Wien 2025, Courtesy the artist, photo: kunst-dokumentation.com, © Bildrecht, Wien 2025
Installation view Radical Software: Women, Art & Computing 1960–1991: Charlotte Johannesson, Untitled, 1981–85, Kunsthalle Wien 2025, Courtesy the artist, Hollybush Gardens, London, and Croy Nielsen, Vienna, photo: kunst-dokumentation.com
Installation view Radical Software: Women, Art & Computing 1960–1991, Kunsthalle Wien 2025, photo: kunst-dokumentation.com
Installation view Radical Software: Women, Art & Computing 1960–1991: Anne-Mie Van Kerckhoven, Message, 1988, Kunsthalle Wien 2025, Courtesy of the artist, photo: kunst-dokumentation.com, © Bildrecht, Wien 2025
Dara Birnbaum, Pop-Pop Video: Kojak/Wang, 1980, © Courtesy Dara Birnbaum and Eletrconic Arts Intermix (EAI), New York
Barbara Hammer, No No Nooky T.V., 1987, film still, Courtesy the Estate of Barbara Hammer and KOW, Berlin
Gretchen Bender, Wild Dead, 1984, film still, Courtesy Sprüth Magers
Doris Chase, Circles I, 1970, film still, Courtesy Randall Chase and University of Washington Libraries, Special Collections, © Bildrecht, Wien 2025
Anna Bella Geiger, Self-Portrait, 1969, Courtesy the artist and Mendes Wood DM, São Paulo, Brussels, Paris, New York, Photo: Pauline Assathiany
VALIE EXPORT, Selbstportrait mit Stiege und Hochhaus, 1989, Courtesy of the artist, © Bildrecht, Wien 2025
VALIE EXPORT, Stand Up. Sit Down, 1989, Courtesy of the artist, © Bildrecht, Wien 2025
Sonya Rapoport, Shoe-Field Map, 1982, Courtesy Estate of Sonya Rapoport
Sonia Sheridan, Sonia In Time, 1985, Courtesy of The Daniel Langlois Foundation, Collection of the Cinémathèque Québécoise, Sonia Landy Sheridan fonds
Samia Halaby, Fold 2, 1988, still from a kinetic painting, Courtesy the artist and Sfeir-Semler Gallery, Beirut / Hamburg
Charlotte Johannesson, Untitled (detail), 1981–1985, Courtesy of the artist and Hollybush Gardens, London
Lynn Hershman Leeson, X-Ray Woman, 1966, Collection Hartwig Art Foundation
Promised gift to the Rijksdienst voor het Cultureel Erfgoed / Rijkscollectie
Radical Software: Women, Art & Computing 1960-1991, 2024 published by Mudam Luxembourg – Musée d’Art Moderne Grand-Duc Jean, Kunsthalle Wien and Verlag der Buchhandlung Walther und Franz König