Chalisée Naamani
Octogone
Installation view Chalisée Naamani: Octogone, Kunsthalle Wien 2026
Courtesy the artist, photo: Markus Wörgötter
Installation view Chalisée Naamani: Octogone, Kunsthalle Wien 2026
Courtesy the artist, photo: Markus Wörgötter
Installation view Chalisée Naamani: Octogone, Bunch of Flowers (detail), 2025, Kunsthalle Wien 2026
Courtesy the artist and E. Righi Collection, © Bildrecht, Wien 2026, photo: Markus Wörgötter
Installation view Chalisée Naamani: Octogone, L’Octogone (detail), 2025, Kunsthalle Wien 2026
Courtesy the artist and E. Righi Collection, © Bildrecht, Wien 2026, photo: Markus Wörgötter
Installation view Chalisée Naamani: Octogone, Who claims love? (detail), 2025, Kunsthalle Wien 2026
Courtesy the artist and Ciaccia Levi, Paris/Milan, © Bildrecht, Wien 2026, photo: Markus Wörgötter
Installation view Chalisée Naamani: Octogone, L’Octogone (detail), 2025, Kunsthalle Wien 2026
Courtesy the artist and E. Righi Collection, © Bildrecht, Wien 2026, photo: Markus Wörgötter
Installation view Chalisée Naamani: Octogone, Kunsthalle Wien 2026
Courtesy the artist, photo: Markus Wörgötter
Installation view Chalisée Naamani: Octogone, From Iran, 2025; You must hide love in the closet (Ahmed Shamlu), 2025, Kunsthalle Wien 2026
Courtesy the artist and Ciaccia Levi, Paris/Milan, © Bildrecht, Wien 2026, photo: Markus Wörgötter
Installation view Chalisée Naamani: Octogone, Kunsthalle Wien 2026
Courtesy the artist, photo: Markus Wörgötter
Installation view Chalisée Naamani: Octogone, Kunsthalle Wien 2026
Courtesy the artist, photo: Markus Wörgötter
Installation view Chalisée Naamani: Octogone, Who claims love? (detail), 2025, Kunsthalle Wien 2026
Courtesy the artist and Ciaccia Levi, Paris/Milan, © Bildrecht, Wien 2026, photo: Markus Wörgötter
Installation view Chalisée Naamani: Octogone, Kunsthalle Wien 2026
Courtesy the artist, photo: Markus Wörgötter
Installation view Chalisée Naamani: Octogone, Who claims love? (detail), 2025, Kunsthalle Wien 2026
Courtesy the artist and Ciaccia Levi, Paris/Milan, © Bildrecht, Wien 2026, photo: Markus Wörgötter
Installation view Chalisée Naamani: Octogone, Who claims love? (detail), 2025, Kunsthalle Wien 2026
Courtesy the artist and Ciaccia Levi, Paris/Milan, © Bildrecht, Wien 2026, photo: Markus Wörgötter
Installation view Chalisée Naamani: Octogone, La liberté guidant le people, 2026; T’es bombée comme une arme, 2020-2021, Kunsthalle Wien 2026
Courtesy the artist and Ciaccia Levi, Paris/Milan, © Bildrecht, Wien 2026, photo: Markus Wörgötter
Installation view Chalisée Naamani: Octogone, La liberté guidant le peuple, 2025, Kunsthalle Wien 2026
Courtesy the artist and Ciaccia Levi, Paris/Milan, © Bildrecht, Wien 2026, photo: Markus Wörgötter
Installation view Chalisée Naamani: Octogone, Love and Ornament, 2025, Kunsthalle Wien 2026
Courtesy the artist and Ciaccia Levi, Paris/Milan, © Bildrecht, Wien 2026, photo: Markus Wörgötter
Installation view Chalisée Naamani: Octogone, Love and Ornament, 2025, Kunsthalle Wien 2026
Courtesy the artist and Ciaccia Levi, Paris/Milan, © Bildrecht, Wien 2026, photo: Markus Wörgötter
Installation view Chalisée Naamani: Octogone, Love and Ornament (detail), 2025, Kunsthalle Wien 2026
Courtesy the artist and Ciaccia Levi, Paris/Milan, © Bildrecht, Wien 2026, photo: Markus Wörgötter
Chalisée Naamani, L'Octogone (detail), 2025, Exhibition view Palais de Tokyo, 2025
Courtesy E. Righi Collection, © Bildrecht, Wien 2026, photo: Aurélien Mole
Chalisée Naamani, Bunch of Flowers, 2025, Exhibition view Palais de Tokyo, 2025
Courtesy E. Righi Collection, © Bildrecht, Wien 2026, photo: Aurélien Mole
Chalisée Naamani, Who claims love? (detail), 2025, Exhibition view Palais de Tokyo, 2025
Courtesy Ciaccia Levi, Paris/Milan, © Bildrecht, Wien 2026, photo: Aurélien Mole
Chalisée Naamani, Who claims love?, 2025, Exhibition view Palais de Tokyo, 2025
Courtesy Ciaccia Levi, Paris/Milan, © Bildrecht, Wien 2026, photo: Aurélien Mole
Chalisée Naamani, T’es bombée comme une arme, 2020-2021
Courtesy Collezione Claudio Ravetto, Turin, © Bildrecht, Wien 2026, photo: Aurélien Mole
Chalisée Naamani, T’es bombée comme une arme (detail), 2020-2021
Courtesy Collezione Claudio Ravetto, Turin, © Bildrecht, Wien 2026, photo: Aurélien Mole
Chalisée Naamani, Let’s carry on, 2021
Courtesy Collection Centre National des Arts Plastiques - CNAP, Paris, © Bildrecht, Wien 2026, photo: Aurélien Mole
Chalisée Naamani, photo: Léa Scheldeman