Aleksandra Domanović – Kunsthalle Wien

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Installation view: Aleksandra Domanović, Things to Come, 2014, Courtesy the artist and Tanya Leighton, Berlin and Los Angeles, Bubanj Fist Relief, 2012, Courtesy Corporate Collection Switzerland, Kunsthalle Wien 2024, photo: Iris Ranzinger

Installation view: Aleksandra Domanović, Things to Come, 2014, Courtesy the artist and Tanya Leighton, Berlin and Los Angeles, Bubanj Fist Relief, 2012, Courtesy Corporate Collection Switzerland, Kunsthalle Wien 2024, photo: Iris Ranzinger

Location

Kunsthalle Wien
Museumsquartier

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Press release

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Aleksandra Domanović’s work focuses on the intersections of technology, history and culture, considering the way that they shape our understanding of identity and contemporary society. This new exhibition brings together sculpture, video, print, photography and digital media produced over the last eighteen years. Presenting over forty works, including new commissions, it surveys the development of a playful yet critical practice shaped by information culture in the post-internet era. It is the first exhibition of Domanović’s work in Austria and the largest presentation of her work to date.

The exhibition is accompanied by the first monographic publication on Aleksandra Domanović’s work.

Installation view: Aleksandra Domanović, Things to Come, 2014, Courtesy the artist and Tanya Leighton, Berlin and Los Angeles, Bubanj Fist Relief, 2012, Courtesy Corporate Collection Switzerland, Kunsthalle Wien 2024, photo: Iris Ranzinger

Installation view: Aleksandra Domanović, Things to Come, 2014, Courtesy the artist and Tanya Leighton, Berlin and Los Angeles, Bubanj Fist Relief, 2012, Courtesy Corporate Collection Switzerland, Kunsthalle Wien 2024, photo: Iris Ranzinger

Installation view: Aleksandra Domanović, Kunsthalle Wien 2024, photo: Iris Ranzinger

Installation view: Aleksandra Domanović, Kunsthalle Wien 2024, photo: Iris Ranzinger

Installation view: Aleksandra Domanović, Bulls Without Horns: Alison With the Bulls, 2016, Calf Bearer, 2017/20, Kunsthalle Wien 2024, Courtesy the artist and Tanya Leighton, Berlin and Los Angeles, photo: Iris Ranzinger

Installation view: Aleksandra Domanović, Bulls Without Horns: Alison With the Bulls, 2016, Calf Bearer, 2017/20, Kunsthalle Wien 2024, Courtesy the artist and Tanya Leighton, Berlin and Los Angeles, photo: Iris Ranzinger

Installation view: Aleksandra Domanović, Kunsthalle Wien 2024, photo: Iris Ranzinger

Installation view: Aleksandra Domanović, Kunsthalle Wien 2024, photo: Iris Ranzinger

Installation view: Aleksandra Domanović, Kunsthalle Wien 2024, photo: Iris Ranzinger

Installation view: Aleksandra Domanović, Kunsthalle Wien 2024, photo: Iris Ranzinger

Installation view: Aleksandra Domanović, If these walls could talk, 2024, Kunsthalle Wien 2024, Courtesy the artist and Tanya Leighton, Berlin and Los Angeles, photo: Iris Ranzinger

Installation view: Aleksandra Domanović, If these walls could talk, 2024, Kunsthalle Wien 2024, Courtesy the artist and Tanya Leighton, Berlin and Los Angeles, photo: Iris Ranzinger

Installation view: Aleksandra Domanović, If these walls could talk, 2024, Worldometers 10, 11, 12, 13, 14, 15, 2021, Kunsthalle Wien 2024, Courtesy the artist and Tanya Leighton, Berlin and Los Angeles and Audemars Piguet Contemporary, photo: Iris Ranzinger

Installation view: Aleksandra Domanović, If these walls could talk, 2024, Worldometers 10, 11, 12, 13, 14, 15, 2021, Kunsthalle Wien 2024, Courtesy the artist and Tanya Leighton, Berlin and Los Angeles and Audemars Piguet Contemporary, photo: Iris Ranzinger

Installation view: Aleksandra Domanović, Kunsthalle Wien 2024, photo: Iris Ranzinger

Installation view: Aleksandra Domanović, Kunsthalle Wien 2024, photo: Iris Ranzinger

Aleksandra Domanović, Sueño de una Tarde, 2014, courtesy the artist and Tanya Leighton, Berlin and Los Angeles, photo: Gunter Lepkowski

Goldene Roboterhand, die ein Yin-Yang-Symbol hält. — Aleksandra Domanović, Sueño de una Tarde, 2014, courtesy the artist and Tanya Leighton, Berlin and Los Angeles, photo: Gunter Lepkowski

Aleksandra Domanović, Portrait (mesing), 2012, courtesy Valeria and Gregorio Napoleone Collection

Profil von Tito in Gold mit grünem Hintergrund. — Aleksandra Domanović, Portrait (mesing), 2012, courtesy Valeria and Gregorio Napoleone Collection

Aleksandra Domanović, Fatima, 2013, courtesy GHB, Geddert Hronjec Berlin

Robotorhand auf Glassockel. — Aleksandra Domanović, Fatima, 2013, courtesy GHB, Geddert Hronjec Berlin

Aleksandra Domanović, Substances of Human Origin, 2015, courtesy the artist and Tanya Leighton, Berlin and Los Angeles, photo: Gunter Lepkowski

Zwei menschenähnliche Roboterarme. — Aleksandra Domanović, Substances of Human Origin, 2015, courtesy the artist and Tanya Leighton, Berlin and Los Angeles, photo: Gunter Lepkowski

Installation view: Aleksandra Domanović, If these walls could talk, 2024, Kunsthalle Wien 2024, Courtesy the artist and Tanya Leighton, Berlin and Los Angeles, photo: Iris Ranzinger

Installation view: Aleksandra Domanović, If these walls could talk, 2024, Kunsthalle Wien 2024, Courtesy the artist and Tanya Leighton, Berlin and Los Angeles, photo: Iris Ranzinger

Installation view: Aleksandra Domanović, If these walls could talk (detail), 2024, Kunsthalle Wien 2024, Courtesy the artist and Tanya Leighton, Berlin and Los Angeles, photo: Iris Ranzinger

Installation view: Aleksandra Domanović, If these walls could talk (detail), 2024, Kunsthalle Wien 2024, Courtesy the artist and Tanya Leighton, Berlin and Los Angeles, photo: Iris Ranzinger

Installation view: Aleksandra Domanović, If these walls could talk (detail), 2024, Kunsthalle Wien 2024, Courtesy the artist and Tanya Leighton, Berlin and Los Angeles, photo: Iris Ranzinger

Installation view: Aleksandra Domanović, If these walls could talk (detail), 2024, Kunsthalle Wien 2024, Courtesy the artist and Tanya Leighton, Berlin and Los Angeles, photo: Iris Ranzinger

Installation view: Aleksandra Domanović, Kunsthalle Wien 2024, photo: Iris Ranzinger

Installation view: Aleksandra Domanović, Kunsthalle Wien 2024, photo: Iris Ranzinger

Installation view: Aleksandra Domanović, Calf Bearer, 2017/20, Kunsthalle Wien 2024, Courtesy the artist and Tanya Leighton, Berlin and Los Angeles, photo: Iris Ranzinger

Installation view: Aleksandra Domanović, Calf Bearer, 2017/20, Kunsthalle Wien 2024, Courtesy the artist and Tanya Leighton, Berlin and Los Angeles, photo: Iris Ranzinger

Installation view: Aleksandra Domanović, If these walls could talk, 2024, Kunsthalle Wien 2024, Courtesy the artist and Tanya Leighton, Berlin and Los Angeles, photo: Iris Ranzinger

Installation view: Aleksandra Domanović, If these walls could talk, 2024, Kunsthalle Wien 2024, Courtesy the artist and Tanya Leighton, Berlin and Los Angeles, photo: Iris Ranzinger

Installation view: Aleksandra Domanović, Turbo Sculpture, 2009/2024, Kunsthalle Wien 2024, Courtesy the artist and Tanya Leighton, Berlin and Los Angeles, photo: Iris Ranzinger

Installation view: Aleksandra Domanović, Turbo Sculpture, 2009/2024, Kunsthalle Wien 2024, Courtesy the artist and Tanya Leighton, Berlin and Los Angeles, photo: Iris Ranzinger

Aleksandra Domanović, Turbo Sculpture, film still, 2010–2024, courtesy the artist and Tanya Leighton, Berlin and Los Angeles

Filmstill mit einem goldenen Roboter, der von Menschen umgeben ist. — Aleksandra Domanović, Turbo Sculpture, film still, 2010–2024, courtesy the artist and Tanya Leighton, Berlin and Los Angeles

Installation view: Aleksandra Domanović, Turbo Sculpture, 2009/2024, Kunsthalle Wien 2024, Courtesy the artist and Tanya Leighton, Berlin and Los Angeles, photo: Iris Ranzinger

Installation view: Aleksandra Domanović, Turbo Sculpture, 2009/2024, Kunsthalle Wien 2024, Courtesy the artist and Tanya Leighton, Berlin and Los Angeles, photo: Iris Ranzinger

Installation view: Aleksandra Domanović, Kunsthalle Wien 2024, photo: Iris Ranzinger

Installation view: Aleksandra Domanović, Kunsthalle Wien 2024, photo: Iris Ranzinger

Installation view: Aleksandra Domanović, Becoming Another (Ultrasound Beam), 2024, Kunsthalle Wien 2024, Courtesy the artist and Audemars Piguet, photo: Iris Ranzinger

Installation view: Aleksandra Domanović, Becoming Another (Ultrasound Beam), 2024, Kunsthalle Wien 2024, Courtesy the artist and Audemars Piguet, photo: Iris Ranzinger

Installation view: Aleksandra Domanović, Worldometers, 2021, Kunsthalle Wien 2024, Courtesy the artist and Tanya Leighton, Berlin and Los Angeles and Audemars Piguet Contemporary, photo: Iris Ranzinger

Installation view: Aleksandra Domanović, Worldometers, 2021, Kunsthalle Wien 2024, Courtesy the artist and Tanya Leighton, Berlin and Los Angeles and Audemars Piguet Contemporary, photo: Iris Ranzinger

Installation view: Aleksandra Domanović, Worldometers, 2021, Kunsthalle Wien 2024, Courtesy the artist and Tanya Leighton, Berlin and Los Angeles and Audemars Piguet Contemporary, photo: Iris Ranzinger

Installation view: Aleksandra Domanović, Worldometers, 2021, Kunsthalle Wien 2024, Courtesy the artist and Tanya Leighton, Berlin and Los Angeles and Audemars Piguet Contemporary, photo: Iris Ranzinger

Installation view: Aleksandra Domanović, Worldometers, 2021, Kunsthalle Wien 2024, Courtesy the artist and Tanya Leighton, Berlin and Los Angeles and Audemars Piguet Contemporary, photo: Iris Ranzinger

Installation view: Aleksandra Domanović, Worldometers, 2021, Kunsthalle Wien 2024, Courtesy the artist and Tanya Leighton, Berlin and Los Angeles and Audemars Piguet Contemporary, photo: Iris Ranzinger

Installation view: Aleksandra Domanović, Untitled (30.lll.2010), 2010, Kunsthalle Wien 2024, Courtesy the artist and Tanya Leighton, Berlin and Los Angeles, photo: Iris Ranzinger

Installation view: Aleksandra Domanović, Untitled (30.lll.2010), 2010, Kunsthalle Wien 2024, Courtesy the artist and Tanya Leighton, Berlin and Los Angeles, photo: Iris Ranzinger

Installation view: Aleksandra Domanović, Kunsthalle Wien 2024, photo: Iris Ranzinger

Installation view: Aleksandra Domanović, Kunsthalle Wien 2024, photo: Iris Ranzinger

Installation view: Aleksandra Domanović, Untitled (30.lll.2010), 2010, Kunsthalle Wien 2024, Courtesy the artist and Tanya Leighton, Berlin and Los Angeles, photo: Iris Ranzinger

Installation view: Aleksandra Domanović, Untitled (30.lll.2010), 2010, Kunsthalle Wien 2024, Courtesy the artist and Tanya Leighton, Berlin and Los Angeles, photo: Iris Ranzinger

Installation view: Aleksandra Domanović, Bubanj Fist Relief, 2012, Kunsthalle Wien 2024, Courtesy private collection, Switzerland, photo: Iris Ranzinger

Installation view: Aleksandra Domanović, Bubanj Fist Relief, 2012, Kunsthalle Wien 2024, Courtesy private collection, Switzerland, photo: Iris Ranzinger

Installation view: Aleksandra Domanović, Kunsthalle Wien 2024, photo: Iris Ranzinger

Installation view: Aleksandra Domanović, Kunsthalle Wien 2024, photo: Iris Ranzinger

Installation view: Aleksandra Domanović, The Future Was At Her Fingertips (timeline), 2014-ongoing, Courtesy the artist and Tanya Leighton, Berlin and Los Angeles, Alan's Apple, 2013, Courtesy Private Collection, Kunsthalle Wien 2024, photo: Iris Ranzinger

Installation view: Aleksandra Domanović, The Future Was At Her Fingertips (timeline), 2014-ongoing, Courtesy the artist and Tanya Leighton, Berlin and Los Angeles, Alan's Apple, 2013, Courtesy Private Collection, Kunsthalle Wien 2024, photo: Iris Ranzinger

Installation view: Aleksandra Domanović, The Future Was At Her Fingertips (timeline), 2014-ongoing, Courtesy the artist and Tanya Leighton, Berlin and Los Angeles, Torches of Freedom, 2014, Courtesy of Peres Politis Collection, Milan, Kunsthalle Wien 2024, photo: Iris Ranzinger

Installation view: Aleksandra Domanović, The Future Was At Her Fingertips (timeline), 2014-ongoing, Courtesy the artist and Tanya Leighton, Berlin and Los Angeles, Torches of Freedom, 2014, Courtesy of Peres Politis Collection, Milan, Kunsthalle Wien 2024, photo: Iris Ranzinger

Installation view: Aleksandra Domanović, The Future Was At Her Fingertips (timeline), 2014-ongoing, Courtesy the artist and Tanya Leighton, Berlin and Los Angeles, Joshua, 2013, Courtesy Private Collection, Kunsthalle Wien 2024, photo: Iris Ranzinger

Installation view: Aleksandra Domanović, The Future Was At Her Fingertips (timeline), 2014-ongoing, Courtesy the artist and Tanya Leighton, Berlin and Los Angeles, Joshua, 2013, Courtesy Private Collection, Kunsthalle Wien 2024, photo: Iris Ranzinger

Installation view: Aleksandra Domanović, The Future Was At Her Fingertips (timeline), 2014-ongoing, Courtesy the artist and Tanya Leighton, Berlin and Los Angeles, Relay Runner, 2013, Courtesy Collection Dr. Heidi Fazekas / galerie michaela stock, Kunsthalle Wien 2024, photo: Iris Ranzinger

Installation view: Aleksandra Domanović, The Future Was At Her Fingertips (timeline), 2014-ongoing, Courtesy the artist and Tanya Leighton, Berlin and Los Angeles, Relay Runner, 2013, Courtesy Collection Dr. Heidi Fazekas / galerie michaela stock, Kunsthalle Wien 2024, photo: Iris Ranzinger

Installation view: Aleksandra Domanović, SOHO (Substances of Human Origin), 2015, Kunsthalle Wien 2024, Courtesy the artist and Tanya Leighton, Berlin and Los Angeles, photo: Iris Ranzinger

Installation view: Aleksandra Domanović, SOHO (Substances of Human Origin), 2015, Kunsthalle Wien 2024, Courtesy the artist and Tanya Leighton, Berlin and Los Angeles, photo: Iris Ranzinger

Installation view: Aleksandra Domanović, Kunsthalle Wien 2024, photo: Iris Ranzinger

Installation view: Aleksandra Domanović, Kunsthalle Wien 2024, photo: Iris Ranzinger

Installation view: Aleksandra Domanović, Votive: Snowbird, 2017, Courtesy the artist and Tanya Leighton, Berlin and Los Angeles, Kunsthalle Wien 2024, photo: Iris Ranzinger

Installation view: Aleksandra Domanović, Votive: Snowbird, 2017, Courtesy the artist and Tanya Leighton, Berlin and Los Angeles, Kunsthalle Wien 2024, photo: Iris Ranzinger

Installation view: Aleksandra Domanović, Votive: Open Man, 2017, Courtesy the artist and Tanya Leighton, Berlin and Los Angeles, Kunsthalle Wien 2024, photo: Iris Ranzinger

Installation view: Aleksandra Domanović, Votive: Open Man, 2017, Courtesy the artist and Tanya Leighton, Berlin and Los Angeles, Kunsthalle Wien 2024, photo: Iris Ranzinger

Installation view: Aleksandra Domanović, Votive: Gunner, 2017, Courtesy the artist and Tanya Leighton, Berlin and Los Angeles, Kunsthalle Wien 2024, photo: Iris Ranzinger

Installation view: Aleksandra Domanović, Votive: Gunner, 2017, Courtesy the artist and Tanya Leighton, Berlin and Los Angeles, Kunsthalle Wien 2024, photo: Iris Ranzinger

Publication

Aleksandra Domanović

Events

Wed
4.9.24

19:00

Opening Aleksandra Domanović and Nora Turato

Goldene Roboterhand, die ein Yin-Yang-Symbol hält.

Thu
5.9.24

17:30

Guided tour: Aleksandra Domanović

Filmstill mit einem goldenen Roboter, der von Menschen umgeben ist.

Sat
7.9.24

13:00–15:00

My Sketchbook and Art Journal

Bastelutensilien

Thu
19.9.24

17:30

Guided tour: Aleksandra Domanović

Filmstill mit einem goldenen Roboter, der von Menschen umgeben ist.

Fri
20.9.24

10:00–18:00

Lotteries Day at MuseumsQuartier

Menschenmenge in Ausstellung

Thu
26.9.24

17:30

Guided tour in Einfacher Sprache

Zwei menschenähnliche Roboterarme.

Thu
3.10.24

17:30

Guided tour: Aleksandra Domanović

Filmstill mit einem goldenen Roboter, der von Menschen umgeben ist.

Sat
5.10.24

11:00–13:00

All Hands on Deck

Sat
5.10.24

18:00

ORF Long Night of Museums

Mehrere Personen stehen in einer großen Halle mit Kunstwerken von Aleksandra Domanović.

Sat
12.10.24

10:00–18:00

Wiener Linien Tag

Abstrakte Malerei mit grünen, blauen und roten Linien.

Sat
12.10.24

11:00–13:00

All Hands on Deck

Thu
17.10.24

17:30

Vodstvo kroz izložbu: Aleksandra Domanović

Eine Gruppe betrachtet Kunstwerke von Aleksandra Domanović.

Sat
19.10.24

11:00–13:00

All Hands on Deck

Wed
23.10.24

10:00–11:30

Mathematical art talk

Eine Gruppe betrachtet Kunstwerke von Aleksandra Domanović.

Fri
25.10.24

15:00–18:00

Trying to be at home in the world

Mehrere Personen stehen in einer großen Halle mit Kunstwerken von Aleksandra Domanović.

Sat
26.10.24

11:00–13:00

All Hands on Deck

Tue
29.10.24

10:00–12:00

All Hands on Deck

Tue
29.10.24

14:00–16:00

All Hands on Deck

Wed
30.10.24

10:00–12:00

All Hands on Deck

Wed
30.10.24

14:00–16:00

All Hands on Deck

Thu
31.10.24

10:00–12:00

All Hands on Deck

Wed
6.11.24

10:00–11:30

Mathematical art talk

Eine Gruppe betrachtet Kunstwerke von Aleksandra Domanović.

Thu
7.11.24

17:30

Guided tour: Aleksandra Domanović

Sat
9.11.24

11:00–13:00

My Sketchbook and Art Journal

Bastelutensilien

Tue
12.11.24

18:00

Guided tour in Austrian Sign Language: Aleksandra Domanović

Sat
16.11.24

11:00–13:00

My Sketchbook and Art Journal

Bastelutensilien

Sun
17.11.24

17:00

Curator tour of Aleksandra Domanović

Wed
20.11.24

10:00–11:30

Mathematical art talk

Eine Gruppe betrachtet Kunstwerke von Aleksandra Domanović.

Thu
21.11.24

17:30

Guided tour: Aleksandra Domanović

Fri
22.11.24

15:00–18:00

Trying to be at home in the world

Mehrere Personen stehen in einer großen Halle mit Kunstwerken von Aleksandra Domanović.

Sat
23.11.24

11:00–13:00

My Sketchbook and Art Journal

Bastelutensilien

Sat
23.11.24

14:00

Guided tour in Einfacher Sprache

Zwei menschenähnliche Roboterarme.

Wed
27.11.24

10:00–11:30

Mathematical art talk

Eine Gruppe betrachtet Kunstwerke von Aleksandra Domanović.

Sat
30.11.24

11:00–13:00

My Sketchbook and Art Journal

Bastelutensilien

Wed
4.12.24

10:00–11:30

Mathematical art talk

Eine Gruppe betrachtet Kunstwerke von Aleksandra Domanović.

Thu
5.12.24

17:30

Guided tour: Aleksandra Domanović

Wed
11.12.24

10:00–11:30

Mathematical art talk

Eine Gruppe betrachtet Kunstwerke von Aleksandra Domanović.

Fri
13.12.24

15:00–18:00

Trying to be at home in the world

Mehrere Personen stehen in einer großen Halle mit Kunstwerken von Aleksandra Domanović.

Wed
18.12.24

10:00–11:30

Mathematical art talk

Eine Gruppe betrachtet Kunstwerke von Aleksandra Domanović.

Thu
19.12.24

17:30

Guided tour: Aleksandra Domanović

Thu
2.1.25

17:30

Guided tour: Aleksandra Domanović

Sat
11.1.25

11:00–13:00

All Hands on Deck

Drei Kinder und ein Erwachsener basteln.

Wed
15.1.25

10:00–11:30

Mathematical art talk

Eine Gruppe betrachtet Kunstwerke von Aleksandra Domanović.

Thu
16.1.25

17:30

Guided tour: Aleksandra Domanović

Sat
18.1.25

11:00–13:00

All Hands on Deck

Drei Kinder und ein Erwachsener basteln.

Wed
22.1.25

10:00–11:30

Mathematical art talk

Eine Gruppe betrachtet Kunstwerke von Aleksandra Domanović.

Fri
24.1.25

18:00

Book Launch Aleksandra Domanović

Sat
25.1.25

11:00–13:00

All Hands on Deck

Drei Kinder und ein Erwachsener basteln.

Support

The exhibition by Aleksandra Domanović is realised with the kind support of Slowenisches Kulturinformationszentrum SKICA, Vienna.

The presentation of Aleksandra Domanović’s installation Becoming Another is kindly supported by its original commissioner Audemars Piguet Contemporary.