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Aleksandra Domanović

Date and time

Press release
5.9.2024

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Installation view: Aleksandra Domanović, Things to Come, 2014, Courtesy the artist and Tanya Leighton, Berlin and Los Angeles, Bubanj Fist Relief, 2012, Courtesy Corporate Collection Switzerland, Kunsthalle Wien 2024, photo: Iris Ranzinger
Installation view: Aleksandra Domanović, If these walls could talk, 2024, Kunsthalle Wien 2024, Courtesy the artist and Tanya Leighton, Berlin and Los Angeles, photo: Iris Ranzinger
Installation view: Aleksandra Domanović, Bulls Without Horns: Alison With the Bulls, 2016, Calf Bearer, 2017/20, Kunsthalle Wien 2024, Courtesy the artist and Tanya Leighton, Berlin and Los Angeles, photo: Iris Ranzinger
Installation view: Aleksandra Domanović, If these walls could talk, 2024, Worldometers 10, 11, 12, 13, 14, 15, 2021, Kunsthalle Wien 2024, Courtesy the artist and Tanya Leighton, Berlin and Los Angeles and Audemars Piguet Contemporary, photo: Iris Ranzinger
Installation view: Aleksandra Domanović, Kunsthalle Wien 2024, photo: Iris Ranzinger
Zwei Satelliten hängen in einem Ausstellungsraum.
Installation view: Aleksandra Domanović, Things to Come, 2014, Gallery of Modern Art, Glasgow International, Glasgow, 4 April – 1 June 2014, courtesy the artist and Glasgow International, photo: Alan McAteer
Goldene Roboterhand, die ein Yin-Yang-Symbol hält.
Aleksandra Domanović, Sueño de una Tarde, 2014, courtesy the artist and Tanya Leighton, Berlin and Los Angeles, photo: Gunter Lepkowski
Profil von Tito in Gold mit grünem Hintergrund.
Aleksandra Domanović, Portrait (mesing), 2012, courtesy Valeria and Gregorio Napoleone Collection
Robotorhand auf Glassockel.
Aleksandra Domanović, Fatima, 2013, courtesy GHB, Geddert Hronjec Berlin
Filmstill mit einem goldenen Roboter, der von Menschen umgeben ist.
Aleksandra Domanović, Turbo Sculpture, film still, 2010–2024, courtesy the artist and Tanya Leighton, Berlin and Los Angeles
Skulptur bestehend aus einer Säule mit zwei Roboterarmen und einem Basketball.
Aleksandra Domanović, Open Man, 2016, courtesy the artist and Tanya Leighton, Berlin and Los Angeles, photo: Gunter Lepkowski
Abstrakte Malerei mit grünen, blauen und roten Linien.
Installation view: Aleksandra Domanović, Becoming Another, Audemars Piguet Contemporary, Berlin, 2021, courtesy the artist and Audemars Piguet, photo: Matthias Lindner
Zwei menschenähnliche Roboterarme.
Aleksandra Domanović, Substances of Human Origin, 2015, courtesy the artist and Tanya Leighton, Berlin and Los Angeles, photo: Gunter Lepkowski
Cover: Aleksandra Domanović, Mayura Mudra, 2013/2022 (detail), photo: Gunter Lepkowski, Courtesy of private collection Nickl, Munich, published 2025 by Kunsthalle Wien and DISTANZ
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