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Radical Software
Women, Art & Computing 1960–1991

28.2.–25.5.2025
Installation view Radical Software: Women, Art & Computing 1960–1991, Kunsthalle Wien 2025, photo: kunst-dokumentation.com

Location

Kunsthalle Wien
Museumsquartier

Artists

  • Rebecca Allen
  • Elena Asins
  • Colette Stuebe Bangert & Charles Jeffries Bangert
  • Gretchen Bender
  • Gudrun Bielz & Ruth Schnell
  • Dara Birnbaum
  • Inge Borchardt
  • Barbara Buckner
  • Doris Chase
  • Analívia Cordeiro
  • Betty Danon
  • Hanne Darboven
  • Bia Davou
  • Agnes Denes
  • VALIE EXPORT
  • Anna Bella Geiger
  • Isa Genzken
  • Dominique Gonzalez-Foerster
  • Lily Greenham
  • Samia Halaby
  • Barbara Hammer
  • Lynn Hershman Leeson
  • Grace C. Hertlein
  • Channa Horwitz
  • Irma Hünerfauth
  • Charlotte Johannesson
  • Alison Knowles
  • Beryl Korot
  • Katalin Ladik
  • Ruth Leavitt
  • Liliane Lijn
  • Vera Molnár
  • Monique Nahas & Hervé Huitric
  • Katherine Nash
  • Sonya Rapoport
  • Deborah Remington
  • Sylvia Roubaud
  • Miriam Schapiro
  • Lillian Schwartz
  • Sonia Sheridan
  • Nina Sobell
  • Barbara T. Smith
  • Tamiko Thiel
  • Rosemarie Trockel
  • Joan Truckenbrod
  • Anne-Mie Van Kerckhoven
  • Ulla Wiggen

Radical Software: Women, Art & Computing 1960–1991 examines the pioneering role of women in digital art. Comprising more than one hundred works by fifty artists, the exhibition includes painting, sculpture, installation, film, performance and many computer-generated drawings and texts. Focusing on women who were among the first to use the computer – mainframe and minicomputers – as a tool for art making. They are accompanied by other artists who made the computer their subject or worked in a computational way with algorithmic or mathematically based systems. The exhibition begins with works made in academic or industrial computer labs and ends with others made on the first personal computers in the last years before the World Wide Web made the internet publicly accessible. Set within a period that was also marked by the second wave of feminism, it documents a lesser-known history of the inception of digital art, countering conventional narratives on art and technology by focusing entirely on female figures.

It will be accompanied by a new publication including 27 artist interviews. A symposium with artists from the exhibition and experts in the field of art and technology was hosted at TU Wien on Friday, 28 February. Here you can watch it online.

The exhibition Radical Software: Women, Art and Computing 1960-1991 is curated by Michelle Cotton and organized by Kunsthalle Wien, Vienna, and Mudam Luxembourg – Musée d’Art Moderne Grand-Duc Jean.

Installation view Radical Software: Women, Art & Computing 1960–1991, Kunsthalle Wien 2025, photo: kunst-dokumentation.com
Installation view Radical Software: Women, Art & Computing 1960–1991, Kunsthalle Wien 2025, photo: Kunsthalle Wien
Installation view Radical Software: Women, Art & Computing 1960–1991, Kunsthalle Wien 2025, photo: Kunsthalle Wien
Installation view Radical Software: Women, Art & Computing 1960–1991: Hanne Darboven, Ein Jahrhundert-ABC, 1970–71, Courtesy the artist and Sprüth Magers; Isa Genzken, Gray-green open ellipsoid, ca. 1976–77, Courtesy the artist and Galerie Buchholz, Berlin; Kunsthalle Wien 2025; photo: kunst-dokumentation.com, © Bildrecht, Wien 2025
Installation view Radical Software: Women, Art & Computing 1960–1991, Kunsthalle Wien 2025, photo: kunst-dokumentation.com
installation view Radical Software: Women, Art & Computing 1960–1991: Hanne Darboven, Ein Jahrhundert-ABC, 1970–71, Courtesy of the artist and Sprüth Magers; Alison Knowles, The House of Dust, 1967, Courtesy of the artist and James Fuentes, Kunsthalle Wien 2025, photo: kunst-dokumentation.com
Installation view Radical Software: Women, Art & Computing 1960–1991, Kunsthalle Wien 2025, photo: kunst-dokumentation.com
Installation view Radical Software: Women, Art & Computing 1960–1991, Kunsthalle Wien 2025, photo: kunst-dokumentation.com
Installation view Radical Software: Women, Art & Computing 1960–1991 with works by Vera Molnár and Sylvia Roubaud, Kunsthalle Wien 2025, photo: kunst-dokumentation.com, © Bildrecht, Wien 2025
Installation view Radical Software: Women, Art & Computing 1960–1991, Bia Davou, Serial Structure, 1978, Kunsthalle Wien 2025, photo: kunst-dokumentation.com
Installation view Radical Software: Women, Art & Computing 1960–1991: Lily Greenham, Homecomputer Graphic, 1982, Courtesy of the Lily Greenham Archive, Goldsmiths University of London, Kunsthalle Wien 2025, photo: kunst-dokumentation.com
Installation view Radical Software: Women, Art & Computing 1960–1991: Joan Truckenbrod, Energy Surface,1981; Joan Truckenbrod, Congealing Weaves, 1981, Kunsthalle Wien 2025, Courtesy of the artist and RCM Galerie, Paris, photo: kunst-dokumentation.com
Installation view Radical Software: Women, Art & Computing 1960–1991: Liliane Lijn, Man Is Naked (Serie A), Kunsthalle Wien 2025, Collection Estrellita B. Brodsky, photo: kunst-dokumentation.com, © Bildrecht, Wien 2025
Installation view Radical Software: Women, Art & Computing 1960–1991: Beryl Korot, Text and Commentary, 1976-77, Kunsthalle Wien 2025, The Museum of Modern Art. Committee on Media and Performance Art Funds, 2015, Accession Number: 265.2015, photo: kunst-dokumentation.com
installation view Radical Software: Women, Art & Computing 1960–1991: Charlotte Johannesson, I'm No Angel, 1972-73/2017, Kunsthalle Wien 2025, Courtesy of the artist and Hollybush Gardens, London, photo: kunst-dokumentation.com
Installation view Radical Software: Women, Art & Computing 1960–1991, from left to right: Ulla Wiggen, Oändligt variabel, 1968, T&C Collection; Deborah Remington, Merthyr, 1966, Centre national des arts plastiques (France); Miriam Schapiro, The Palace at 3:00 AM or Meander, 1971, Courtesy the artist and Eric Firestone Gallery; Sonya Rapoport, Shoe-Field installation, 1983–89, Courtesy Estate of Sonya Rapoport, Kunsthalle Wien 2025, photo: kunst-dokumentation.com, © Bildrecht, Wien 2025
Installation view Radical Software: Women, Art & Computing 1960–1991: Deborah Remington, Merthyr, 1966, Kunsthalle Wien 2025, Centre national des arts plastiques (Frankreich), photo: kunst-dokumentation.com, © Bildrecht, Wien 2025
Installation view Radical Software: Women, Art & Computing 1960–1991 with works by Charlotte Johannesson, Kunsthalle Wien 2025, photo: kunst-dokumentation.com
Installation view Radical Software: Women, Art & Computing 1960–1991: Katalin Ladik, Genesis 01–11, 1975, Kunsthalle Wien 2025, Courtesy of the artist and acb Gallery of Contemporary Art, Budapest, photo: kunst-dokumentation.com
Installation view Radical Software: Women, Art & Computing 1960–1991, Kunsthalle Wien 2025, photo: kunst-dokumentation.com
Installation view Radical Software: Women, Art & Computing 1960–1991: Sonya Rapoport, Shoe-Field Map, 1989, Kunsthalle Wien 2025, Courtesy of the Estate of Sonya Rapoport, photo: kunst-dokumentation.com
Installation view Radical Software: Women, Art & Computing 1960–1991 with works by Sonya Rapoport, Kunsthalle Wien 2025, photo: kunst-dokumentation.com
Installation view Radical Software: Women, Art & Computing 1960–1991: VALIE EXPORT, Concrete Computer DisPlay, 1988/1990, Kunsthalle Wien 2025, Courtesy the artist, photo: kunst-dokumentation.com, © Bildrecht, Wien 2025
Installation view Radical Software: Women, Art & Computing 1960–1991: Gretchen Bender, Wild Dead, 1984, Kunsthalle Wien 2025, Courtesy of Sprüth Magers, photo: kunst-dokumentation.com
Installation view Radical Software: Women, Art & Computing 1960–1991: Charlotte Johannesson, Untitled, 1981–85, Kunsthalle Wien 2025, Courtesy the artist, Hollybush Gardens, London, and Croy Nielsen, Vienna, photo: kunst-dokumentation.com
Installation view Radical Software: Women, Art & Computing 1960–1991: Anne-Mie Van Kerckhoven, Message, 1988, Kunsthalle Wien 2025, Courtesy of the artist, photo: kunst-dokumentation.com, © Bildrecht, Wien 2025
Installation view Radical Software: Women, Art & Computing 1960–1991, Kunsthalle Wien 2025, photo: kunst-dokumentation.com
Installation view Radical Software: Women, Art & Computing 1960–1991, Kunsthalle Wien 2025, photo: kunst-dokumentation.com
Lynn Hershman Leeson, X-Ray Woman, 1966, Collection Hartwig Art Foundation Promised gift to the Rijksdienst voor het Cultureel Erfgoed / Rijkscollectie
Installation view Radical Software: Women, Art & Computing 1960–1991 with works by Lynn Hershman Leeson and Lily Greenham, Kunsthalle Wien 2025, photo: kunst-dokumentation.com
VALIE EXPORT, Selbstportrait mit Stiege und Hochhaus, 1989, Courtesy of the artist, © Bildrecht, Wien 2025
VALIE EXPORT, Stand Up. Sit Down, 1989, Courtesy of the artist, © Bildrecht, Wien 2025
Anna Bella Geiger, Self-Portrait, 1969, Courtesy the artist and Mendes Wood DM, São Paulo, Brussels, Paris, New York, Photo: Pauline Assathiany
Installation view Radical Software: Women, Art & Computing 1960–1991: Analívia Cordeiro, M3x3, 1973, Kunsthalle Wien 2025, Courtesy the artist, photo: kunst-dokumentation.com
Installation view Radical Software: Women, Art & Computing 1960–1991: Barbara Hammer, No No Nooky T.V., 1987, Kunsthalle Wien 2025, Courtesy of Estate of Barbara Hammer and KOW, Berlin, photo: kunst-dokumentation.com
Installation view Radical Software: Women, Art & Computing 1960–1991: Lillian Schwartz, Enigma, 1972, Kunsthalle Wien 2025, Gift of the Lillian F. Schwartz & Laurens R. Schwartz Collection, photo: kunst-dokumentation.com
Installation view Radical Software: Women, Art & Computing 1960–1991: Gretchen Bender, Dumping Core, 1984, Kunsthalle Wien 2025, Courtesy Sprüth Magers, photo: kunst-dokumentation.com

Support

The exhibition at Kunsthalle Wien is made possible through the generous support of Art Mentor Foundation Lucerne.