Radical Software
Women, Art & Computing 1960–1991


Artists
- Rebecca Allen
- Elena Asins
- Colette Stuebe Bangert & Charles Jeffries Bangert
- Gretchen Bender
- Gudrun Bielz & Ruth Schnell
- Dara Birnbaum
- Inge Borchardt
- Barbara Buckner
- Doris Chase
- Analívia Cordeiro
- Betty Danon
- Hanne Darboven
- Bia Davou
- Agnes Denes
- VALIE EXPORT
- Anna Bella Geiger
- Isa Genzken
- Dominique Gonzalez-Foerster
- Lily Greenham
- Samia Halaby
- Barbara Hammer
- Lynn Hershman Leeson
- Grace C. Hertlein
- Channa Horwitz
- Irma Hünerfauth
- Charlotte Johannesson
- Alison Knowles
- Beryl Korot
- Katalin Ladik
- Ruth Leavitt
- Liliane Lijn
- Vera Molnár
- Monique Nahas & Hervé Huitric
- Katherine Nash
- Sonya Rapoport
- Deborah Remington
- Sylvia Roubaud
- Miriam Schapiro
- Lillian Schwartz
- Sonia Sheridan
- Nina Sobell
- Barbara T. Smith
- Tamiko Thiel
- Rosemarie Trockel
- Joan Truckenbrod
- Anne-Mie Van Kerckhoven
- Ulla Wiggen
Radical Software: Women, Art & Computing 1960–1991 examines the pioneering role of women in digital art. Comprising more than one hundred works by fifty artists, the exhibition includes painting, sculpture, installation, film, performance and many computer-generated drawings and texts. Focusing on women who were among the first to use the computer – mainframe and minicomputers – as a tool for art making. They are accompanied by other artists who made the computer their subject or worked in a computational way with algorithmic or mathematically based systems. The exhibition begins with works made in academic or industrial computer labs and ends with others made on the first personal computers in the last years before the World Wide Web made the internet publicly accessible. Set within a period that was also marked by the second wave of feminism, it documents a lesser-known history of the inception of digital art, countering conventional narratives on art and technology by focusing entirely on female figures.
It will be accompanied by a new publication including 27 artist interviews. A symposium with artists from the exhibition and experts in the field of art and technology was hosted at TU Wien on Friday, 28 February. Here you can watch it online.
The exhibition Radical Software: Women, Art and Computing 1960-1991 is curated by Michelle Cotton and organized by Kunsthalle Wien, Vienna, and Mudam Luxembourg – Musée d’Art Moderne Grand-Duc Jean.




































































Support
The exhibition at Kunsthalle Wien is made possible through the generous support of Art Mentor Foundation Lucerne.